Billboard - USA (2020-03-14)

(Antfer) #1

LUIS ESTRADA IS NAMED PRESIDENT OF UNIVERSAL MUSIC’S SOUTHERN CONE (ARGENTINA, CHILE, URUGUAY AND BOLIVIA). WARNER MUSIC INDIA OPENS, LED BY MANAGING DIRECTOR JAY MEHTA.


VIÑA DEL MAR, CHILE — As the


spread of the coronavirus


forces promoters around the world to


cancel and postpone concerts, music


executives in Chile are dealing with


another kind of epidemic: protests and


political rallies that add costs, compli-


cations and concerns about security to


productions throughout the country.


Chile, traditionally one of the safest


and most politically stable countries in


Latin America, underwent a political


shift last October during the estallido


social (“social explosion”), a series of


nationwide protests against the eco-


nomic policies of right-wing president


Sebastián Piñera. After years of mal-


aise that have seen the erosion of edu-


cation, health and retirement benefits,


protesters are demanding constitu-


tional reform. (The “social explosion”


term refers to protests that are not


centered on one issue, region or faction


— hence the term “explosion.”) Now


the protests and economic downturn


are rattling the concert industry.


Some promoters have reduced their


slate of shows by over one-third this


summer (which runs from December


to March in Chile), and the number of


bookings has fallen. Insurance and se-


curity costs also have risen, sometimes


by as much as 50%, according to some


organizers. “You have protests, the


coronavirus,” says Carlos Lara, CEO


of concert promoter Swing Music,


whose clients include Luis Fonsi. “It’s


a lot of variables that were not in the


equation before.”


The tumult came to a head during


the six-day, sold-out Viña del Mar In-


ternational Song Festival in February.


Protesters outside the event demanded


its cancellation, even though it has


nothing to do with politics. But the


festival’s international importance — it


has a global TV audience of 250 million


viewers, according to Kantar Ibope


Media — made it a perfect place to find


an audience for their grievances.


On opening night, cars were set afire


in front of the famous Hotel O’Higgins,


causing the evacuation and closure of


the property. That evening, sources


say protesters threw rocks at vans


taking Ricky Martin’s staff to the event.


Martin did not consider canceling his


show, according to Daniel Merino, a


promoter at Bizarro Entertainment


who was also the general producer of


Viña del Mar, and none of the artists


canceled their sets. “But we did have


artists calling to ask what was going


on.” (The festival resumed the next day


without incident.)


So far, the coronavirus largely


has not affected Chile, and no major


concerts or tours have been canceled


for health concerns. However, many


smaller shows and festivals, includ-


ing the municipal summer events that


are important for multiple artists and


promoters, have been put on hold due


to the civil unrest. Swing Music went


from 35-40 shows last summer season


to 10-12 this year. Bizarro is cutting


back about one-third of its shows,


going from an average of 75 per year


to roughly 50 to accommodate the


economic contraction.


The website for Movistar Arena in


Santiago, one of Chile’s most important


venues, shows a long list of canceled or


postponed shows, the reasons ranging


from “health” to “factors having to do


with national contingency.”


Discontent in Chile reached a


boiling point on Oct. 18, 2019, when


thousands of students protested


a spike in subway fares. That day,


Merino was producing the second of


four shows by André Rieu at Movistar


Arena. “They called me literally in


the middle of the concert,” he says.


“I turned on the television backstage,


and I saw the army in the streets.


We had 12,000 people in their seats,


“ IT’S A LOT OF


VARIABLES THAT


WERE NOT IN THE


EQUATION BEFORE.”


(^) —CARLOS LARA, SWING MUSIC
In Chile, Concert Promoters Face More
Than A Virus As Political Protests Take Toll
BY LEILA COBO
and Rieu was playing waltzes.” The
concert went on without interruption
and attendees left safely, despite
subway closures. But the final two
shows were postponed, translating to
$1 million in lost revenue. Merino says
insurance covered the costs, and Rieu
is scheduled to return in May.
Moving forward, increased insur-
ance costs are but one additional
element promoters in Chile have to
consider. Another is security. Carlos
Geniso, president of local promoter
Digimedios, says he has increased
security personnel by 30% to 40%.
“We never had security
checkpoints in venues before,” says
Merino. “We had to invest in that.”
For Viña del Mar, Bizarro’s biggest
production, the company hired a
security drone and 220 guards, 80
more than in previous years.
Chile’s economy continues to strug-
gle. The currency has fallen nearly
20% versus the dollar since October.
“These costs appeared overnight, and
you can’t transfer them to the con-
sumer because the tickets have already
been sold,” says Merino, echoing Lara.
“But in a convulsed society, we don’t
want to raise ticket prices.”
On April 26, Chileans will vote to
decide if their country’s constitution
will be amended to reduce the role of
government in the economy, which is
what the protests have been calling for
all along. In the meantime, the shows
will go on — at least for big names.
Geniso already sold out a Billie Eilish
concert in June, and tickets for Harry
Styles and Michael Bublé are going on
sale soon. Lollapalooza Chile is still
slated to take place March 27-29 at
O’Higgins Park, with performances by
Guns ’N Roses, Travis Scott and Lana
del Rey. Thus far, no one has canceled,
according to Maximiliano del Río of
Lotus Productions, which has pro-
duced the festival for a decade.
Del Río says that most tickets had
been sold prior to the disturbances
in October. “We’ve reinforced secu-
rity and some controls, always aimed
at ensuring things take place peace-
fully,” he says.
As for Lara, he says he’s not adjust-
ing plans for his concerts over the
next 12 months, but he’s also not
venturing into projects where he’s
uncertain about ticket sales. “Even
in a crisis, people want to have fun,”
he says. “Things will normalize once
the masses see a change in how the
country is managed.”
From far left: Martin at the Viña del Mar
festival on Feb. 23; demonstrators clashed
with riot police at the event on Feb. 24.
16 BILLBOARD • MARCH 14, 2020
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