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making meaning


THE TRAGEDY OF MACBETH,
ACT I

analyze Craft and Structure
Author’s Choices: Structure During the late 1500s, Elizabethan
drama blossomed. Using models from ancient Greece and Rome, writers
reintroduced tragedies, plays in which the main character, through some
fatal flaw in his or her personality, meets a tragic end. Tragedies from
Shakespeare’s era also feature these characteristics:

•   They are written in carefully crafted, unrhymed verse, using powerful
language and vivid imagery. Since there were no sets, the words
themselves created the illusion of time and place.
• They have a heavy dose of internal conflict, opposing thoughts and
feelings that war with each other in a character’s mind.

Dramatists reveal characters’ internal conflicts in a variety of ways. One
method is the soliloquy, a long speech delivered by a character who is alone
on stage. In a soliloquy, the character voices thoughts and feelings to the
audience as though he or she were thinking them out loud. In Shakespeare’s
soliloquies, the audience gets valuable inside information about a character’s
fears, confusions, and desires, as well as his or her intentions to betray or
even murder other characters.

WHAT Is IT ABOuT?

WHY usE A sOlIlOquY?

WHO spEAks IT?

Practice
Review the soliloquy at the beginning of Act I, Scene vii, lines 1–28. Use the chart to
explore why Shakespeare uses a soliloquy here. What information does it provide that
audiences could not obtain from dialogue?

CITE TEXTUAL EVIDENCE
to support your answers.

 sTAnDARDs
Reading Literature
Analyze how an author’s choices
concerning how to structure specific
parts of a text contribute to its
overall structure and meaning as well
as its aesthetic impact.

278 UNIT    3   •   FACING  THE FUTURE, CONFRONTING THE PAST

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TEACHING


Formative assessment
analyze Craft and structure
• if students are unable to identify why
Shakespeare uses a soliloquy, then have
students review the definition of soliloquy by
first writing its definition in the third row of
the chart.
For Reteach and Practice, see analyze Craft and
structure: structure (rP).

Analyze Craft and Structure
author’s Choices: structure Explain that
Shakespeare uses the concept of a character’s
fatal flaw in all of his tragedies. Fatal flaws are
character traits that are taken to an extreme,
such as in Macbeth’s case, his consuming
ambition and self-doubt. Other fatal flaws that
show up in Shakespeare’s characters are lack of
self-knowledge, excessive pride, impulsiveness,
and indecisiveness. For more support, see
analyze Craft and structure: structure.

MAKE IT INTERACTIVE
Project Macbeth’s soliloquy from Scene vii,
lines 1−28, and read it aloud. Then read it aloud
again, pausing to discuss what Macbeth is
revealing about himself.
See possible responses in chart on student
page.

PERSONALIZE FOR LEARNING


english Language support
Using Cause and effect in tragedies Have
student pairs identify causes and effects in Act I
related to Macbeth’s flaws. After speaking with the
witches, he writes to Lady Macbeth; she convinces
him to kill Duncan, and the two begin plotting.
EMErging

Have students write down causes and effects in
Act I related to Macbeth’s fatal flaw of ambition.
After speaking with the witches, he writes to Lady
Macbeth; she convinces him to kill Duncan, and the
two begin plotting. Lady Macbeth strengthens his
resolve. EXPAnding

Have students write a paragraph explaining Macbeth’s
fatal flaw of ambition. After speaking with the
witches, he writes to Lady Macbeth; she convinces
him to kill Duncan, and the two begin plotting. Lady
Macbeth strengthens his resolve, and he reminds
himself to stay the course. Bridging
An expanded english Language support Lesson
on Cause and Effect in Tragedies is available in the
Interactive Teacher’s Edition.

Macbeth

Macbeth debates about whether or not to kill Duncan. He says that if he can be
assured there will be no consequences, he would risk his soul. He ponders on
the attributes of the king and how he should be loyal to him. He knows the king
will be deeply mourned. In the end, he decides to move forward with his plan
acknowledging his own ambition.

Macbeth reveals his inner thoughts and conflicts to the audience. He admits his
own fatal flaw, his ambition.

278 UNIT 3 • FACING THE FUTURE, CONFRONTING THE PAST


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