Artists & Illustrators - UK (2020-05)
Inthepenultimate articleofhisfive-part series onthebuilding blocksoflifedrawing, Draw Brightontutor JAKESPICERturnshis attention ...
62 Artists & Illustrators FIGURE DRAWING Ina longsitting,whenthereactionary processofintuitivelydrawnshort posesgiveswaytoth ...
STRAYS The texture of head hair is most readily expressed at its boundaries SHEEN Paper can be left light to suggest refl ection ...
64 Artists&Illustrators FIGURE DRAWING Scars and stretchmarks In a monochrome sketch, scars and stretchmarks register as lig ...
Artists&Illustrators 65 ROYAL DRAWING SCHOOL Booknowatwww.royaldrawingschool.org PUBLIC COURSES Draw/ Print/ Paint/ Sculpt S ...
Gary Stinton HOW I PAINT The Herefordshire-based artist tells REBECCA BRADBURY how he portrays the strength, power and formidabl ...
HOW I PAINT OPPOSITE PAGE Panthera Leo, pastel on museum board, 71.1 x66cm BELOW Study of African Leopardess at Rest, pastel and ...
68 Artists&Illustrators I add an odd stroke of blue or green to the cat’s fur to suggest reflected light needs to be primed. ...
HOW I PAINT BELOW Jaguar at Rest, pastel on museum board, 45.7x76.2cm ABOVE Cheetah – Large as Life VII, pastel on museum board, ...
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A Sense of Depth Whenthischarmingscenepresenteditselfto MATTJEANES, it camewithachallenge:howtopainttheforegroundand background ...
DEMO 3 Now that the fl owers are masked and protected, it is time to add in some of the bigger washes over the top. If there are ...
Artists & Illustrators 73 CALL FOR ENTRIES 159 th Open Exhibition Mall Galleries, London, SW1 22 nd - 27th September 2020 Di ...
74 Artists&Illustrators I t is a factworthacceptingthatnot everypaintingyoumakewillturn outasyouhoped.Sadly,some artworksare ...
TECHNIQUE CASE STUDY 1 Rob Dudley, Low Tide on the Yealm, watercolour on paper, 46x30cm This Devon landscape painting (1) didn’t ...
76 Artists&Illustrators TECHNIQUE all the hard work, yet colour gets all the praise”. The successful distribution of tones t ...
TECHNIQUE 7 Artists & Illustrators 77 ...
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