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W hat is really missing in the field of architecture is a horizon of understanding comparable to the one the audience has
in the fields of theater, cinema, or art... One needs the construction of a systematic discourse of architecture.
—Historian and architect Jean-Louis Cohen, speaking to Dan Handel for Haaretz.
ARCHITECTURAL RECORD AUGUST 2019 15
In the Summertime, When the Weather Is Hot
In the U.S. and the UK, this year’s roster of seasonal pavilions, representing a medley of
unusual geometries, bold colors, and textured materials, keep visitors cool in the shade.
SelgasCano’s 2015 Serpentine
Pavilion in Los Angeles
SelgasCano’s prismatic 2015 Serpen
tine Pavilion is the first of the 19
structures built for the Serpentine
Gallery’s annual program to travel to
the United States. Originally installed
in London’s Kensington Gardens, the
cocoonlike structure, wrapped in a
multicolored translucent ETFE mem
brane, has been reassembled on the
grounds of the La Brea Tar Pits—the
only active urban Ice Age excavation
site in the world—where it will remain
for the next five months. The new
location will host a diverse program of
talks, film screenings, and other
events organized by Second Home, a
Londonbased coworking operator,
and the Natural History Museums of
Los Angeles County. Second Home’s
first U.S. location, in L.A., also de
signed by SelgasCano, is scheduled to
open in September. Alex Klimoski
Hórama Rama by Pedro y Juana at
MoMA PS
Hórama Rama, this year’s winner of the Museum
of Modern Art’s 2019 Young Architects Program,
by Mexico City–based Pedro & Juana, is a 40foot
high, 90footdiameter cyclorama that brings
seating, shade, and even a waterfall to MoMA
PS1’s courtyard in Queens, NY. The design creates
a playground of scaffolding, partially shaded by
some 2,000 wood “bristles” protruding from its
cylindrical armature. The seasonal structure is
the home of PS1’s annual Warm Up summer con
cert series and will be open until September.
Kara Mavros
PHOTOGRAPHY: © IWAN BAAN (TOP); RAFAEL GAMO (BOTTOM)