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perspectivebooks
Swimming to Suburbia and Other Essays, by Craig
Hodgetts; edited by Todd Gannon. Oro Editions, 220
pages, $24.95.
Reviewed by Deane Madsen
If you meet Craig Hodgetts, it’s hard not to be
swept up by his general enthusiasm—not just
about architecture, but about people, cars,
cities, and surfing. That gusto permeates his
writings, which span nearly half a century,
condensed and collected into this volume.
Divided into four categories—polemics, proj
ects, people, and performances—the book
unveils the ideas and possibilities that have
influenced Hodgetts’s architectural work.
As the practice of Hodgetts and Hsinming
Fung, partner (and wife), has grown—from its
founding as H+F in 1984 to its current merger
with Mithun—so have the texts that begin
with his earlycareer efforts with Los Angeles
architect Robert Mangurian. One essay is a
testament to the negotiating skills of both
Hodgetts and Fung: though Hodgetts, as the
outgoing associate dean, thoroughly lambasted
the architec ture at the California Institute of
the Arts campus in Valencia in a
1973 Art Forum article, the couple
still ended up with the school as
the client for their Wild Beast
Pavilion for music some 30 years
later.
As an architecture student on
the East Coast in the mid1960s,
Hodgetts studied with James
Stirling at Yale University, and he
includes three essays about his
British mentor. A profile pub
lished in 1976 in Design Quarterly
shows that Hodgetts had embed
ded himself with Stirling at his
home and office in London, observing the
idiosyncrasies of the character who loomed
large in his life. The other pieces provide a
measured retrospective look: one, a critique of
the Ayala Science Library at the University of
California, Irvine, completed in 1994, two
years after Stirling’s death, alternates between
Hodgetts praising the solidity of the design
and reluctantly recognizing that it was not one
of Stirling’s best works.
Other writings include as
sessments of the Los Angeles
residential architecture of John
Lautner, the Santa Monica house
that Frank Gehry designed for
himself and family in 1977, and
even ruminations on a car Le
Corbusier designed in 1936. Yet
an urban thrust underlies
Hodgetts’s contributions. In the
essay from which the book
draws its title, the author crafts
a love letter to Los Angeles, the
city he has inhabited for the
better part of four decades (he
was born in Cincinnati). Hodgetts finds that
the city’s streets and freeways have a logic,
while knowing that the beach is its soul. All
considered, the collection, including fiction,
collages, and designs for film sets, proves that
whatever the medium, his allencompassing
energy translates into impressive production. n
Deane Madsen is a Washington, D.C.–based writer
and photographer specializing in architecture.
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