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THE BASSMENT SETTING THE TONESETTING
THE TONE
Dan Veall unveils a brand new column In this month’s
edition of Guitar Interactive Magazine, taking a more in-
depth look at the controls of your bass amplifier.With Dan Veall
Part 3
back my fellow tone-seekers! In this
column, I will be heading down a very
specific avenue, one that I do mention time to time when I am reviewing
pedals for Guitar Interactive.
In this edition I want to look at bass distortion and a method we can utilise
to create big articulate sounds that don’t get lost ‘in the mix’ the minute we
stamp on a drive pedal.
This column is based on personal preference but also a fair amount of
experience over the years in creating bass tones that sound great on stage as
well as recorded. I hope that it will help and provide a basis for your own
experiments in low-end girth!
The method I am demonstrating is not new by any means and certainly tips
that I have picked up in conversation with some of my favourite worldwide
stars have driven my own experimentation. »
DRIVES AND BLENDING
WELCOME