line from that point to the clew of
your jib and with a permanent pen
mark the nal 10cm (4in) by the clew.
e starting point for a powerful
sheeting angle is when the jibsheet
is a continuation of that pen line. If
you are trying to encourage ow over
the sail because it’s light or get rid of
ow because it’s windy, then move
the car back from that angle (to open
your jib leech); if you are looking for
more power, go forward of that mark
(to close or tighten the jib leech).
A telltale on the jib leech, a hand
width underneath the top batten, or if
you have no batten, about a quarter of
the way down the leech is a sail-tuning
must. is telltale shows the ow of
air on the exit of your sail. If it is ying
horizontally you have ow, if it is curling
behind the jib, the wind is stalling.
Foredeck marks give you a visual
aid as to the depth of your jib. If you
are new to the boat, guring out the
right place for this can be hard. My
best advice is go and have a look at
someone who is fast and copy what
they have! If that isn’t an option, thread
some twine through the bottom forestay
xing point to the shroud and mark a
10cm line where the middle of the jib
foot would sit. In the 470 you would
make two further parallel lines at 5cm
intervals towards the gunwale, but the
exact measurements may dier for
other classes – ask your sailmaker.
Put a mark on the jibsheet and some
calibration marks on the deck that the
jibsheet runs past. is is just for quick
visual reference, out of manoeuvres,
showing that you are near the right place.
IN SIMPLISTIC TERMS:
A deep jib with a tight leech adds
power, until you go too far.
A at jib is less powerful but creates
an easy shape for light wind to travel
across, again until you go too far.
An open leech gets rid of power.
ese visual aids will show you what
you need to do with the jib, but you
need to decide how to achieve it: with
jibsheet or jib car? For example, if the
leech telltale is wrapped around the back
of the sail, you need to open the jib:
You need to ease more jibsheet out to
get the telltale ying more, but as you
do that you are losing drive from your
jib (the front starts caving in slightly),
as it is just too far out on the sheet.
So, go forward on your car setting,
which makes your leech tighter, but ease
the jibsheet to get the telltale ying.
So, the base of your jib is still pulling,
but you have opened up the top.
When you are on the water
consider the wind strength, sea state
and the feeling in the boat when
sailing in a straight line and discuss
what you need from your jib:
Above left
Jib control system
in the 470 with
a fore & aft jib
car and dierent
settings marked on
the boat and line
Below left
Jib control system
in a Fireball with
a sideways jib
car and piston
(equivalent of a
fore & aft jib car)
Below
A telltale on the
jib leech is a
sail-tuning must
UPWIND SPEED
Jib set-up
Even though the jib is the small
relation to the mainsail, it makes a
large contribution to your performance
upwind. As the crew, it is your domain.
e jib’s main job is to accelerate wind
on to the leeward side of your mainsail
and you need to set the jib slot to get
the optimum power from the wind.
In under-powered conditions you are
trying to squeeze as much energy from
the wind without making the gap so
hard to get through that the wind just
doesn’t bother. When you are over-
powered, you are trying to lose and spill
wind from the leech of the jib because
the wind strength is too much for the
boat to cope with. And in between
those two states is ‘max power’ when
your jib leech is set at it’s tightest.
Control of the jib leech is a combination
of two main elements: the jibsheet and
jib car position. You might not have an
adjustable jib car in your boat, if so, you
would use the windward / lazy jibsheet
instead. To understand the eect of the
sheet and car, rig up the jib in 6-7 knots
of wind and look how the two elements
aect the sail. If you pull only jibsheet,
the leech will be straight; using jib car
(or the windward jibsheet) puts a curve
in the jib leech. Look at the shape the
foot of the jib is making on the foredeck:
using jibsheet makes a straight line (a at
jib); and jib car makes a semi-circle (a
deep jib). Look how much movement of
jibsheet or jib car it takes to change the
shape. e object is to mirror the shape
of the mainsail as you look at the boat
from behind, but as a crew you don’t have
that viewing perspective when racing.
ree visual tools to get you in the
ballpark of correct jib set-up are:
Have a look at the diagram opposite
on page 49. Make a small mark halfway
down the lu of your jib (either measure
it or fold it in half ). Draw an imaginary
HOW TO WIN STRAIGHT-LINE SPEED
PHOTO: THOM TOUW
48 Yachts & Yachting August 2019 yachtsandyachting.co.uk