BBC World Histories - 08.2019 - 09.2019

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Yi Chen is curator of early Chinese collections
at the British Museum, London

MUSEUM OF THE WORLD Global history’s finest objects, curated by experts


IMAGE COURTESY OF TRUSTEES OF THE BRITISH MUSEUM

slender scripts, bronze used to cast these
paired vessels was awarded to Zhao by
Fuchai, who must have been very happy
about the outcome of the meeting.
In fact, these vessels recall the
terminal glory of Fuchai and his state.
While he was celebrating at Huangchi with
his best troops, the neighbouring Yue
state took the chance to launch an attack
on the defenceless Wu capital. Fuchai
hurried back with his army, only to find a
broken city and the body of his heir, Prince
You. The Wu state never recovered from
this attack, and was finally annexed by the
Yue state in 473 BC, less than 10 years
after Fuchai’s triumph at Huangchi.

Though made with bronze awarded
by the Wu state, the repetitive
decorative belts on these vessels
suggest that they were cast in the Jin
state, Zhao’s home. Archaeologists
have discovered a massive foundry at
present-day Houma, Shanxi, site of the Jin
capital, where sophisticated clay pattern
blocks were used to create ritual bronze
vessels on an industrial scale. The use
of pattern blocks, which started in the
sixth century BC, marked a peak of the
‘piece mould’ casting method, a unique
tradition developed in China by 1600 BC.
Exclusively used in China and based
on advanced ceramic technology, piece-
mould casting creates voids for molten
metal by assembling cores and outer
moulds modelled on the shape of the
desired vessel. The surface decora-
tions on the cast object would have been
formed from patterns carved on the
insides of the outer moulds.

Before the development of the
pattern-block method, patterns were
carved on each outer mould. Because
moulds had to be broken after casting
to remove the object, new moulds were
required for each cast. The pattern-block
method uses master blocks with carved
patterns from which decorations can
be repeatedly transferred to as many

moulds as required. This not only greatly
increased productivity, but also enabled
the use of different combinations or
repetitions of highly elaborate surface
decorations. The intricate patterns on
the paired Cull hu, including hundreds
of interlaced dragons and snakes, are
exquisite examples demonstrating how
this casting method was used in its early
5th-century heyday.

“The new pattern-block method enabled


the use of different combinations of


highly elaborate surface decorations”


Cull hu (bronze flask)


Created by: unknown craftsman
of the Eastern Zhou dynasty,
Houma, Shanxi, China, c482 BC

Now at: British Museum,
London

Chosen by: Yi Chen


This magnificent bronze hu flask is one
of a pair known as the Cull hu, after the
surname of the donor. An identical
inscription around the outer rim of the lid
of each vessel records a historic meeting
between warlords in fifth-century-BC
China, while the elaborate decorative
belts on their bodies demonstrate the
most advanced bronze-casting technolo-
gies of the time.

The Zhou dynasty (1045–221 BC) is
widely regarded as a moral and
political golden age, a time when great
thinkers such as Confucius (551–479 BC)
and Laozi (flourished sixth century BC)
lived. However, in 771 BC the Zhou
suffered a major defeat. Its capital, Hao


  • near the site of the modern city of Xi’an

  • fell after an invasion by steppe peoples,
    and the court fled east to present-day
    Luoyang. Royal power waned after this
    move, and many local states, which had
    been created within the framework of the
    Zhou kingdom, rose to compete for
    territory and power.
    In 482 BC, the competing states
    gathered for an important meeting at
    Huangchi, in what’s now Henan province.
    King Fuchai (reigned 495–73 BC) of Wu
    state in eastern China successfully
    challenged for the status of supreme
    leader. Fuchai’s title ‘Han’ is mentioned in
    the inscription on these hu, as is Zhao
    Meng, an officer from Jin state, which
    hosted the meeting. According to the
    inscription, executed in beautifully


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