Introduction
Thosewhostudyandteachthehistoryoftheancientworldsufferfrom
agreatdisadvantage,whichwefinddifficulttoadmiteventoourselves:
inaperfectlyliteralsensewedonotknowwhatwearetalkingabout.
Ofcourse,wecandisposeofavastrangeofaccumulatedknowledge
aboutwhatwearetalkingabout.Wecancompilelistsofoffice-holders
in the Roman Empire,without ourevidence revealing how govern-
mentworkedorevenwhetheritmadeanyimpactatallontheordinary
person; we can discuss the statuses of cities and look at the archaeo-
logicalremainsofsomeofthem(orrathersomepartsofsomeofthem)
withouthavinganynotionoftheirsocialandeconomicfunctions,or
of whether it made any real differencewhetheran inhabitant of the
Romanprovinceslivedinasmallcityoralargevillage.Wecanstudy
the remains of temples, the iconography of gods and goddesses, the
natureofmyth,ritualandsacrifice;buthowandinwhatwaydidallthis
provideanimportantorintelligiblecontextforapeasantinthefields?
Inthecaseofreligioninparticularourattentionturnspersistentlyto
theexceptionalratherthantheordinary,tothoseaspectswhichwere
novel,imported,mystical,orthesubjectofphilosophicalspeculation.
—FergusMillar,‘‘TheWorldoftheGolden Ass’’
Sobeginsoneofthearticlesinthisvolume,settingoutthepreoccupationof
alifetime—Howdiditreallywork?Whatdiditfeelliketobeaninhabitant
ofaRomanprovince?—andatthesametimerevealingFergusMillar’skeen
awarenessofthelimitsofourknowledgeandperception.Thisdeclaration
ofignoranceandaporiashouldnotdeceiveus,norgiveusanycomfort;itis
basedonenormousfamiliaritywiththeancientsourcesandthevastmodern
commentaryonthem.Eachandeveryarticleinthepresentcollectionisa
variationonthethemeof‘‘howdiditworkandwhatdiditfeellike?’’—the
stubbornandrelentlessstruggletofindoutthetruth,nottofallintofamiliar
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