Videomaker (2019-05)

(Antfer) #1
contents

full screen


print

contents

full screen

print

EDITING


44 VIDEOMAKER >>> MAY 2019


Feeling bewildered in the edit


bay? Having trouble follow-


ing that Final Cut Pro tutorial?


Lost in post-production lingo?


This glossary should help. Here,


we’ve defined some of the most


common post-production terms


to help you sound like a pro.


compositing Superimposing multiple
layers of video to create a single image.
Each layer may move independently.

continuity [1:visual] Logical succes-
sion of recorded or edited events,
necessitating consistent placement of
props, positioning of characters, and
progression of time. [2: directional]
Consistency in camera-subject rela-
tionships in order to avoid confusing a
viewer’s perspective.

crawl Text effect where text moves
right-to-left (in the English-speaking
world). Commonly seen as stock tick-
ers or with Emergency Alert System
activations on television programs. A
crawl is usually seen at the top or bot-
tom of a screen.

cross-fade Simultaneous fade-in of
one audio or video source as another
fades out so that they overlap tempo-
rarily. Also called a dissolve.

cut Instantaneous change from one
shot to another.

cutaway Shot of something other than
principal action (but peripherally re-

Like most industries, video post-
production has a language all its own.
We’ve collected a brief list of video
editing terms that are commonly used
in the edit suite. Becoming familiar
with these terms will only make your
job easier.

batch capture The ability of software
to automatically import selected clips
from the source media based on a log
of your shots.

chromakey Method of creating trans-
parency in a video source by select-
ing a specific “key color” to create an
alpha matte. It is frequently used on
news programs to display weather
graphics behind talent and for visual
effects compositing.

codec Video compression technol-
ogy used to compress data in a video
file. Codec stands for “Compression
Decompression.” An example of a
popular codec is H.264.

color correction The process by
which the color and luminance values
of video footage are altered for color
accuracy and image fidelity.

color grade The process by which the
color and luminance values of video
footage are altered for artistic expres-
sion or as a narrative device.

Post-production terminology


by Chris “Ace” Gates

lated), frequently used as transitional
footage or to avoid a jump cut.

dissolve Image transition effect where
one picture gradually disappears as an-
other appears. Also called a cross-fade.

edit Process or result of selectively se-
quencing video and/or audio clips into
a new video file. Typically involves re-
viewing raw footage and transferring
desired segments from source footage
into a new predetermined sequence.

edit decision list (EDL) Handwritten or
computer-generated compilation of all
post-production edits to be executed
in a video work.

envelopes (also known as rubber
bands) A software tool that allows
fading in and out of audio or video in
various parts of a track. You can use
animation nodes or handles on the
envelope to fine tune the shape of a
fade or effect control.

fade Gradual diminishing or heighten-
ing of visual or audio intensity. Usage:
fade out, fade to black, fade in or fade
up from black.

filter effect A digital effect that is
applied to a clip to change a specific
parameter of video or audio, such as
the color of a visual element or the
reverb on an audio track.

HDR (High-dynamic-range) HDR vid-
eo has an increased dynamic range
over standard-dynamic-range video,
close to three times the number of
stops. Preserves more detail in the
shadows and highlights.

jump cut Unnatural, abrupt switch
between shots identical in subject but
slightly different in screen location, so
the subject appears to jump from one
screen location to another.

lip sync Proper synchronization of
video with audio, lip movement with
audible speech.

Find the right concept and your video will appeal to audiences and show off the music to its best ability. But that's only the first step.
You'll also need to understand the nuts and bolts of putting the video together, directing musicians, editing for music and even
protecting yourself with an ironclad contract. Available in DVD or Digital Downloadable Formats.

Master:
Choosing a Music Video Genre
Forming Ideas for Music Videos
Contracts for Music Videos
Pre-Production for Music Videos
Directing Music Video Shoots
Editing Music Video

Whether you're
having fun with
your garage
band or seriously
pursuing a
career as a
videographer,
this training
video has the
info you need
to create videos
that rock.
Learn more at: videomaker.com/VideosThatRock

375 Music Video DVD.indd 48 3/19/19 8:34 AM
384 C01 Editing .indd 44 3/19/19 2:26 PM

EDITING


EDITING MAY 2019


VIDEOMAKER >>> MAY 2019 45


Post-production terminology


by Chris “Ace” Gates

to communicate a particular idea or
mood. The implied relationship be-
tween seemingly unrelated material is
used to create a new message.

non-linear A somewhat archaic
description of video editing systems
that use hard drives for video storage.
Non-linear systems allow random ac-
cess of captured material, as opposed
to linear systems using VCRs, that
require fast-forwarding or rewinding
tapes for each edit. Modern editing
systems are computer-based and
non-linear, so the adjective isn’t all
that important to specify.

nonsynchronous sound Audio
without precisely matching visuals.
Usually recorded separately, includes
wild sound, sound effects, or music
incorporated in post-production. [See
synchronous sound.]

mask Used to apply changes to a spe-
cific area of the image. Track masks
follow a moving subject through
either manual or automatic animation
of the mask’s parameters.

matte A second image layer used to
make adjustments to your primary
layer. Alpha mattes make part of the

image in the upper layer transparent
so another image can show through.

montage A sequence of shots assem-
bled in juxtaposition to each other

filter effect A digital effect that is
applied to a clip to change a specific
parameter of video or audio, such as
the color of a visual element or the
reverb on an audio track.

HDR (High-dynamic-range) HDR vid-
eo has an increased dynamic range
over standard-dynamic-range video,
close to three times the number of
stops. Preserves more detail in the
shadows and highlights.

jump cut Unnatural, abrupt switch
between shots identical in subject but
slightly different in screen location, so
the subject appears to jump from one
screen location to another.

lip sync Proper synchronization of
video with audio, lip movement with
audible speech.

BECOMING FAMILIAR
WITH THESE TERMS
WILL ONLY MAKE YOUR
JOB EASIER.

Find the right concept and your video will appeal to audiences and show off the music to its best ability. But that's only the first step.
You'll also need to understand the nuts and bolts of putting the video together, directing musicians, editing for music and even
protecting yourself with an ironclad contract. Available in DVD or Digital Downloadable Formats.

Master:
Choosing a Music Video Genre
Forming Ideas for Music Videos
Contracts for Music Videos
Pre-Production for Music Videos
Directing Music Video Shoots
Editing Music Video

Whether you're
having fun with
your garage
band or seriously
pursuing a
career as a
videographer,
this training
video has the
info you need
to create videos
that rock.
Learn more at: videomaker.com/VideosThatRock

375 Music Video DVD.indd 48 3/19/19 8:34 AM
384 C01 Editing .indd 45 3/19/19 2:27 PM
Free download pdf