59
Intothesun
Positionthesubjectbetweenyou
andthesuntoachievea clear
outlinewithlotsofcontrast.
Thisisoneofthefewsituations
wherea lackofdetailin your
subjectisdesirable.
Gocommando
Anakedlenswilltakemuchbetter
images,soremoveanyUVorpo-
larisingfilterspriorto takingyour
image.Rememberthatadditional
glassbetweenyourlensandthe
sunintroducesreflections and
reduces contrast.
Watchyourhighlights
Settingthecorrectexposure
willrequirea fewtestshots.Try
differentsettingsuntildistant
landscapedetailsbecomefaintly
visiblein thehighlights.It is fine
if thesunis a big,undefined
blob.Afterall,itisnota pinprick
oflightwhenyoulook right at it
ona clearday.
Pushyourshadows
Yourshadowswillinevitably
endupunderexposed– that’s
fine,darkshadowscaneasilybe
brightenedinpost-production.
Shootinganexposurebracket
offa tripodisanotheroption
totackledarkareas.
Poseyourtrampingpartner
Don'tbeshytogiveinstruc-
tionstoyoursubject.Slightly
crookedoractiveposesusually
workbest.Engageyoursubject
insimpleactivitieslikethrow-
inga rock,orbyaskingthemto
repeatedlyshiftweightfrom
one foot to the other.
Photo
SCHOOL
Camera:FujifilmX-T3
Lens:FujifilmXF16-55
Settings:43mm,
ISO160, f2.8, 1/8000s
BLINDED BY
THE LIGHT
Cloudlessdaysinthemountains
oftenendina glarysunset.Rather
thanfighting the intense light, try
toembraceconditionsbyshooting
a stylishsilhouetteimage.
ByDennis Radermacher
Thebreakdown
Aftersettingmyexposureso
themountainrangeintheback-
groundwasfaintlyvisible,
I instructedmytrampingpartner
toposeona rocksoherlegs
wouldnotdisappearindeep
grass.Tellinghertoshieldher
eyesfromthesunseemedlike
a naturalactivityinthesituation.
Italsocreateda gapbetweenher
armsandherheadthathelpedto
outlinetheshapeofherarm.
Theresultingimagewasquite
darkintheforeground,which
was easilyfixedon thecomputer.
- Dennisisa commercial
photographerand
teachesphotographyat
http://www.heroworkshops.com
Don’tfightthe
light,embrace
your silhouettes
DENNIS RADERMACHER