ROMANTICISM AND THE RISE OF THE NOVEL
to his rise into upper-class echelons
via affairs with aristocratic women,
the book leads up to Sorel’s
eventual fall into disgrace. French
writer Stendhal (1783–1842) set his
novel in early 19th-century France,
both parodying and satirizing the
excesses of the Bourbon regime
prior to the July Revolution of 1830.
OLD GORIOT
(1834–1835), HONORÉ DE BALZAC
Set in Paris in 1819, Old Goriot
by Balzac tells of life during the
Bourbon Restoration. The 1789
revolution seems far away, though
class divisions are tense once more.
Balzac employed realist depiction
in recounting his brutal vision of
early 19th-century Paris society,
and in particular the social climbers
willing to tread on others to achieve
their ends. Considered by many to
be his finest novel, it was the first of
Balzac’s stories to feature characters
from his other books, a practice that
became a trademark of his fiction.
FAIRY TALES
(1835–1837), HANS CHRISTIAN
ANDERSEN
Danish writer Hans Christian
Andersen (1805–75) created some
of his fairy tales by retelling tales
he heard as a child and others by
inventing his own bold, original
stories. Published in three volumes,
Fairy Tales consists of nine tales,
including classics such as “The
Princess and the Pea,” “The Little
Mermaid,” and “The Emperor’s
New Clothes.” Andersen’s works
prefigured the explosion of children’s
literature in the 19th century and
continue to hold enormous cultural
significance today.
KALEVALA
(1835–1849), ELIAS LÖNNROT
Taken from folklore tales of the
Karelian and Finnish indigenous
peoples, the Kalevala—meaning
“the land of Kaleval”—is a collection
of epic poetry that is considered
one of the most significant works of
Finnish literature. Brought together
by the ethnographic research of
Finnish doctor and philologist Elias
Lönnrot (1802–84), who traveled
across the expanses of Finland and
Karelia recording oral folk songs, the
Kalevala is written in a distinctive
meter, with each line featuring four
pairs of stressed and unstressed
syllables. It retold mythological
tales, building a literary and cultural
heritage that awakened Finnish
nationalism in the 19th century.
OLIVER TWIST
(1837–1839), CHARLES DICKENS
In his second novel, English writer
Dickens (see p.147) paints a bold
depiction of the social underclass
of Victorian Britain, and of the poor
fending for themselves in a hostile
world. Seen as an early example of
the social protest novel, Oliver Twist
tells the story of Oliver as he flees
the workhouse for London and joins
a criminal child gang. Like many
of Dickens’ novels, it was published
serially, with cliff-hangers to keep
readers hungry for each installment.
A HERO OF OUR TIME
(1840), MIKHAIL LERMONTOV
In A Hero of Our Time, Russian
writer, poet, and painter Lermontov
(1814–41) introduces the protagonist
Grigory Pechorin, an idle, nihilistic,
“superfluous man” figure. Pechorin
acts as an antihero through a series
of adventures and love affairs set
against the landscape of the
151
Honoré de Balzac
One of France’s leading writers
of the 19th century, Balzac is
known for his development
of realism in the novel form,
especially in Old Goriot. Born
in Tours in 1799, he moved to
Paris as a child, attended the
Sorbonne from 1816, and was
heading toward law as a
profession when he turned to
writing. By 1832, he had plans
for La Comédie humaine—a
collection of nearly 150 of his
works, including essays, novels,
and a range of analytical and
philosophical texts. Balzac
intended this vast compendium
to capture the nature of the
human condition, but he died in
1850, his life’s work unfinished.
Key works
1829 The Chouans
1834–35 Old Goriot (see below)
1841– 42 The Black Sheep (see
p.152)
I was ready to love the whole
world—no one understood me:
I learned to hate.
A Hero of Our Time
Mikhail Lermontov
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