The Literature Book

(ff) #1

DEPICTING REAL LIFE


some critics suggested that the
governess was hysterical rather
than haunted—the story has been
influential, paving the way for
subsequent tales of innocent
children possessed by evil spirits.

THE AWAKENING
(1899), KATE CHOPIN

Set in New Orleans, The Awakening
by American writer Kate Chopin
(1851–1904) tells the story of Edna
Pontellier and her struggle to break
free from the restrictions imposed
upon her by both marriage and
motherhood. Pontellier seeks her
“awakening” through two sexual
affairs, but more importantly through
independent thinking, art, music,
and swimming. With its explicit
portrayal of marital infidelity and
female independence, the novel
shocked readers and critics, and
was censored on its first publication.
Today it is regarded as a landmark
feminist novel and an early example
of Southern literature.

LORD JIM
(1900), JOSEPH CONRAD

Lord Jim, by Polish-born English
novelist Joseph Conrad (see p.197),
describes the efforts of Jim, a young
British seaman, to overcome an act
of unwitting cowardice that leaves
his name tarnished. Helped by a
sea captain, Marlow, who narrates
much of the story, Jim becomes
“Tuan” (lord) of Patusan—a fictional
South Seas country—and
ultimately overcomes his guilt
through self-sacrifice. The novel is
notable not just for its exploration of
idealism and heroism, but also for
its sophisticated use of a frame
narrative structure.

SISTER CARRIE
(1900), THEODORE DREISER

The first novel by American novelist,
journalist, and socialist Theodore
Dreiser (1871–1945), Sister Carrie
concerns the young woman of the
title, Carrie, who leaves her home in
Wisconsin for Chicago. She finds
work in a shoe factory, but after two
affairs—one with a married man—
finally achieves success and wealth
in a stage career. Dreiser’s publisher,
Doubleday, accepted the book but
considered the subject matter so
shocking in the moralistic climate
of fin-de-siecle America that they
delayed publication, altering the
text and agreeing to only a limited
print run. An uncut version did not
appear until 1981.

UNCLE VANYA
(1897), ANTON CHEKHOV

A masterly study of aimlessness
and hopelessness, Uncle Vanya is
thought by many to be Chekhov’s
finest work. Set on a country estate
in turn-of-the-century Russia, the
play focuses on estate manager
Voynitsky (Uncle Vanya), estate
owner Professor Serebvryakov
and his second wife Yelena and
daughter Sonya, and Sonya’s
unrequited love for local physician
Astrov. Vanya, frustrated by his
wasted life and failure to seduce the
beautiful Yelena, attempts to shoot
Serebvryakov but fails. The play
ends with nothing having changed.

THE TURN OF THE SCREW
(1898), HENRY JAMES

A novella by American writer Henry
James (see p.187), The Turn of the
Screw is one of the best-known
ghost stories ever written. Narrated
mainly through the diary of a
governess, the story describes her
struggle to save her young charges,
Flora and Miles, from the demonic
clutches of two deceased former
servants. Ambiguous in approach—

203


Anton Chekhov


Celebrated as one of the
greatest Russian playwrights,
Anton Chekhov was born in


  1. He became a doctor
    and, despite writing prolifically,
    continued practicing medicine,
    once describing the latter as
    “his lawful wife” and literature
    as his “mistress.” Initially it
    was short stories that brought
    him fame—in 1888 he won the
    Pushkin Prize for his short story
    The Steppe. From the 1890s he
    produced the plays for which
    he is remembered, which were
    performed at the Moscow Art
    Theatre. He married actress
    Olga Knipper in 1901 but died
    of tuberculosis in 1904.


Key works

1897 The Seagull
1897 Uncle Vanya (see left)
1904 The Cherry Orchard

Whatever I had seen, Miles
and Flora saw more—things
terrible and unguessable ...
The Turn of the Screw
Henry James

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