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the most complex of all father–son
relationships, and on Shakespeare’s
Hamlet—torn apart by vengeful
thoughts about his father’s murderer,
who is now his own stepfather—
add layers of meaning to Stephen’s
quest. Conversely, Bloom (whose
son, Rudy, died 11 years earlier,
a few days after his birth) has a
deep psychic need for a son. This
adds poignancy to the Odysseus–
Telemachus dynamic.
Bloom and Stephen, after
several near misses, encounter
each other by chance at the Holles
Street Maternity Hospital; the
associations of the place with birth
and parenthood are no accident.
Bloom in due course saves Stephen
from getting arrested after a fracas
in Dublin’s red-light area. When,
later that night, they sit drinking
cocoa together in Bloom’s kitchen,
Stephen glimpses the past in Bloom,
while Bloom sees the future in
Stephen. It is typical of Joyce’s
fictional subtlety that this mutual
recognition is a fleeting suggestion
rather than an obvious climax.
Joyce’s Homeric framework, as
well as providing a set of symbolic
correspondences, also allowed him
to imply that Bloom, the ordinary
man and good citizen, could be
credited with a heroic dimension.
This is the heroism, or antiheroism,
of the everyday, conducted largely
within the mind, the arena of an
individual’s fears and longings. It
is here that he combats jealousy,
anger, boredom, shame and guilt,
and cherishes the hope and love
that give life its meaning.
Exile and belonging
After the closing paragraph of the
novel, Joyce left a reminder of his
own Odyssean journey as its writer:
“Trieste–Zurich–Paris, 1914–1921.”
While aware of himself as an artist
operating in a cosmopolitan milieu,
he also felt the tug of exile. Living
abroad made it possible for him to
recreate Dublin in all its vulgarity
and vibrancy as the home of his
imagination. Back in 1904, when the
book is set, political feelings were
running high, after the failure of
home rule—an attempt to make
Ireland self-governing. In the year
of Ulysses’ publication (1922), after
BREAKING WITH TRADITION
a bloody civil war, the Irish Free
State was formed. Reflecting these
political realities, the characters of
Joyce’s fictional Dublin are full of
anxieties about their relationship
with institutions: Irish nationalism,
the British Empire, the Catholic
Church, and the Irish Literary
Revival. While Ulysses presents
the details of individual experience
with unprecedented frankness, it is
also unflinching in its portrayal of a
restless microcosm of Irish society.
However, all themes in Ulysses
are subordinate to the living
richness of its fictional world. The
vitality of the novel comes from the
life invested in it, which fights back
against the book’s elaborate literary
artifices. At the core of this—the
most self-consciously artful novel
since the playful experiments of
Laurence Sterne’s Tristram Shandy
in the mid-18th century—are the
lives and loves of Dubliners, realized
with amazing verisimilitude. ■
Homeric parallels in Ulysses
He heard then a warm heavy
sigh, softer, as she turned over
and the loose brass quoits of
the bedstead jingled.
Ulysses
Telemachus is the son of Odysseus
and Penelope, who searches in vain
for his lost father in an epic subplot.
Stephen Dedalus, an intellectual and
artist lost in a maze of his own self-
absorption, searches for a father figure.
Calypso is a beautiful goddess-nymph,
who enthralls Odysseus and holds him
captive for seven years.
Molly Bloom, later the dutiful wife,
is portrayed in an early episode as the
immortal nymph who enchants Leopold.
Odysseus travels to Hades, the
underworld, to ask the spirit of blind
prophet Tiresias the way home.
Bloom attends Paddy Dignam’s
funeral, his thoughts wandering in at
times humorous and inappropriate ways.
Circe is a beautiful witch-goddess, who
drugs Odysseus’s men and turns them
into swine. Odysseus becomes her lover.
Stephen and Bloom wander through
Nighttown to visit a brothel operated by
Bella Cohen, a modern-day Circe.
Penelope keeps suitors at bay while
waiting for the return of Odysseus,
missing and presumed dead at sea.
Molly dallies with a lover but, although
bored with her husband, Leopold, she
awaits his homecoming.
HOMER’S ODYSSEY JAMES JOYCE’S ULYSSES
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