272
I THINK THERE’S
JUST ONE KIND
OF FOLKS. FOLKS.
TO KILL A MOCKINGBIRD (1960), HARPER LEE
B
uilding on the traditions
of 18th-century gothic
literature, with its elements
of fantasy and the grotesque,
mid-20th-century writers of
the American Deep South, such
as Tennessee Williams, Flannery
O’Connor, and Carson McCullers,
established a literary genre known
as southern gothic. These writers
used the characteristics of the
traditional gothic style to inspect
the unsettling realities and twisted
psyches beneath the surface of
Southern respectability. With their
damaged or eccentric characters,
macabre settings, and sinister
situations, the texts in this genre
examine Southern social issues
such as racism, poverty, and crime.
Harper Lee’s classic novel To
Kill a Mockingbird incorporates
a coming-of-age theme into the
southern gothic genre, and
highlights racial prejudice in the
American South in the years before
the civil rights movement. It also
explores the behavior of those who
live in a small Southern community.
Challenging convention
The story is set in the mid-1930s in
Maycomb, an Alabama town where
“a day was twenty-four hours long
but seemed much longer.” The
narrator is a young girl, Scout, nearly
six years old at the start of events.
She is a tomboy, who questions
social conventions. Scout lives with
her widowed father, lawyer Atticus
Finch (a morally upright man who
strives to teach his children the
values of understanding and
compassion), her brother Jem, and
their black cook, Calpurnia.
Scout describes daily life in
Maycomb, their neighbors, her
friendship with an unusual boy
called Dill, and her school, creating
a picture of an apparently timeless
society in the Deep South. Heat
IN CONTEXT
FOCUS
Southern gothic
BEFORE
1940 Carson McCullers’
debut novel The Heart Is a
Lonely Hunter encapsulates
the elements of southern
gothic in a story of social
misfits in Georgia in the 1930s.
1955 Cat on a Hot Tin Roof,
by playwright Tennessee
Williams, is set on a cotton
plantation in the Mississippi
delta and challenges Southern
social conventions with its
portrayal of the favorite
son as a repressed gay
man and alcoholic.
AFTER
1980 A Confederacy of
Dunces, by John Kennedy
Toole, is set in New Orleans
and follows the antics of
slob and misfit Ignatius J.
Reilly. Toole is posthumously
awarded the Pulitzer Prize
for fiction for the book a
year after its publication.
You never really understand
a person until you consider
things from his point of
view—until you climb into his
skin and walk around in it.
To Kill a Mockingbird
US_272-273_Mockingbird.indd 272 08/10/2015 13:09