298
YOU ARE ABOUT TO
BEGIN READING ITALO
CALVINO’S NEW NOVEL
IF ON A WINTER’S NIGHT A TRAVELER (1979),
ITALO CALVINO
T
he term metafiction
was coined by American
writer William H. Gass in
1970 and refers to a fictional form of
writing in which a series of literary
tools are employed by writers to
draw attention to how fiction and
reality interrelate, emphasizing the
nature of the text as a constructed
work, an artifact of the author.
While largely associated with the
fiction of postmodern writers, many
examples exist from earlier eras,
including the 17th-century epic
of Cervantes’, Don Quixote, and
the 18th-century hilarity of
Laurence Sterne’s The Life and
Opinions of Tristram Shandy.
IN CONTEXT
FOCUS
Metafiction
BEFORE
1615 In the second part of the
novel Don Quixote, by Spanish
writer Miguel de Cervantes,
the eponymous fictional hero
is aware that the first part
had been written about him.
1759 – 67 Anglo-Irish novelist
Laurence Sterne’s fictional
autobiography Tristram
Shandy contains so many
digressions that the author
is not born until Volume III.
1944 Argentine writer Jorge
Luis Borges’ Ficciones plays
with the nature of fiction in
a series of enigmatic and
mesmerizing short stories.
AFTER
1987 American author Paul
Auster’s The New York Trilogy
twists the form of the
detective novel and makes
the reader question the tropes
of the genre.
If on a winter’s
night a
traveler
Outside the tOwn
Of MalbOrk
Leaning from
the steep
slope
WITHOUT FEAR
OF WIND OR
VERTIGO
Looks down in
the gathering
shadow
IN A NETWORK
OF LINES THAT
ENLACE
A novel about novels
and points of view, Ca lvino’s
book interweaves excerpts of
imagined books from different
contemporary fiction genres;
the titles of these 10 books
form a complete sentence.
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