314
UIETLY THEY
MOVED DOWN
THE CALM AND
SACRED RIVER
A SUITABLE BOY (1993), VIKRAM SETH
O
ver the last few decades
Indian English writing
has carved a niche as
a recognizable literary genre that
has gained increasing international
attention. In the 1950s and ’60s
some Indian writers—notably
R. K. Narayan, one of the first
Indian English novelists to be
recognized outside India—made a
deliberate choice to write about the
Indian experience in English rather
than in one of the numerous Indian
languages or dialects. Most of
these earlier Indian English
novelists were writing from
within India, portraying everyday
experiences. Since the 1980s,
however, a new generation of
IN CONTEXT
FOCUS
Indian English writing
BEFORE
1950s R. K. Narayan’s texts
help introduce Indian English
writing to a global readership.
1981 Salman Rushdie’s
Midnight’s Children marks
a new stage in Indian
English writing.
AFTER
1997 Arundhati Roy wins
the Booker Prize with The
God of Small Things, which
challenges the caste system.
2000 Amitav Ghosh looks
at migration and colonial
control in The Glass Palace, a
historical novel set in Burma,
Bengal, India, and Malaya.
2006 In The Inheritance of
Loss, Indian English author
Kiran Desai explores the
impact of colonialism.
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