329
See also: The Catcher in the Rye 256–57 ■ White Teeth 324–25
CONTEMPORARY LITERATURE
a past order. His sections are
punctuated with quotes from
Schopenhauer and illuminated by
recalled scenes from Midwest
America in the mid-20th century,
when he worked as a railroad
engineer. Gary, Chip, and Denise
inhabit a much less tractable world;
their experiences distill the pressures
and vicissitudes of the increasingly
troubled late 20th century.
Genetics aside, there is a
common link between all of them:
despite neuroses and flaws, they all
have hope of improvement. Even
Alfred, unwavering in his self-belief
and certainty that family ties and
emotion have to be sacrificed to
fully contribute to civilization,
reflects, while Enid is pregnant
with their youngest child, Denise:
“A last child was a last opportunity
to learn from one’s mistakes and
make corrections, and he resolved
to seize this opportunity.”
Franzen later published a
memoir called The Discomfort
Zone, which included an intimate
exploration of the impact of his
mother’s death. This eclectic
collection reveals that the notion of
family still dominates his work. ■
Emotional
There are shifts in the character
traits of damaged individuals,
leading to personal growth.
Textual
Changes that Chip needs
to make to his screenplay.
Financial
Seeking to profit
from the anticipated
wonder-drug
Corecktall, Gary fails
to notice gradual
changes in the
investment markets.
Pharmaceutical
A pill, Corecktall, that
is a symbol of vain
hope, doing “nothing
and everything.”
Parental
Discipline is used to
stifle the spontaneous
affection that the
children naturally
demonstrate for their
father, Alfred.
Family rumors
Long-held myths, built
from incomplete
information, are
dispelled and truths
revealed.
Jonathan Franzen
Jonathan Earl Franzen’s father
was a civil engineer and
his mother, Irene, was a
“homemaker” (not unlike the
Lamberts in The Corrections).
Franzen grew up in Chicago
and majored in German at
Swarthmore College,
graduating in 1981.
He married Valerie Cornell
at the age of 23; they divorced
14 years later. He is now in a
relationship with the writer
Kathryn Chetkovich, and lives
in New York and California.
In 2001 Franzen sparked
a feud with American talk-
show host Oprah Winfrey
when he voiced unease at the
choice of The Corrections for
her book club, fearing that
men would be put off reading
it. He continues to write on a
range of topics, including the
pitiful state of Europe and the
impermanence of e-books.
Franzen won the National
Book Award for fiction in 2001
with The Corrections, which
was also a finalist for the
Pulitzer Prize for fiction.
Other key works
1992 Strong Motion
2006 The Discomfort Zone:
A Personal History (essays)
2010 Freedom
Types
of correction
The Corrections
reveals a network of
associations relating to the
key word of the title,
unfolding a plot that poses
profound questions about
the extent to which we
are able fix our selves
and our lives.
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