The Movie Book

(Barry) #1

308 CITY OF GOD


00:10
The Tender Trio rob a motel
with Li’l Dice as lookout. We
later find out that Lil’ Dice
went back afterward and
shot everyone in the motel.

00:32
At the beach, Rocket
photographs his friends,
and meets Angélica for
the first time. He buys
pot to impress her.

1:09
Benny is shot by Blackie at
his farewell celebration. Blackie
was aiming at Li’l Zé. Carrot
then kills Blackie.

1:40
Rocket’s photo of Li’l Zé
appears in the newspaper.
He is offered a job, and
Li’l Zé is pleased by
the publicity.

00:30
As he tries to run from
the police, Shaggy is shot dead.
Rocket sees his first camera as
a man photographs the body.

00:50
Li’l Dice becomes Li’l Zé
and starts a killing spree to
take over the drug business
in the City of God.

00:00 00:15 00:30 00:45 01:00 01:15 01:30 02:00

1:26
Knockout Ned joins
forces with Carrot in a
war against Lil’ Ze. A year
later, the favela is divided.

1:52
Knockout Ned is killed by
Otto, the son of a murdered
security guard. Li’l Zé is
gunned down by the runts.

Minute by minute


into the central character, with
other characters entering only
when they matter to the overall
story of the slum.

The city as fate
One of the main themes Meirelles
explores is the favela’s corrosive
effect on everyone it touches. The
violence it spawns does not simply
stay among the criminals, but
rather is all consuming and
perpetuates a culture of suffering
for all the inhabitants. Meirelles
presents the City of God as an
entity in itself, a place that allows

the wicked to thrive and the
innocent to perish. This is
demonstrated starkly in the
movie’s opening sequence, in
which two chickens are about
to be plucked and cooked by Li’l
Zé’s gang. A knife flashes as it is
sharpened against a rock. One
chicken flinches as the other is
killed, and makes a break for it,
but there is no escape.
When Knockout Ned tries
to draw a line between being a
hoodlum and his noble vigilante
mission against Li’l Zé, the City
of God intervenes, just as it does
when Shaggy tries to flee the
criminal life in the name of love, or
when Benny decides that he’s too
good a person to be a gangster.
Each time a character gives in to
their better nature, that character
is punished. They are protagonists
in their own Greek tragedies, with
the city in the role of Fate.

Journalistic ethics
City of God is a gangster story,
an impassioned piece of social
commentary, and an ambitious
work of visual cinema. Rocket’s
role as a photographer also allows
the movie to touch upon the ethics
of journalism in a war zone, or in
this case, the act of dramatizing
very real problems of poverty and
violence. This is highlighted when
Rocket confronts a newspaper for

The sacrificial chicken
conveys with the force of a
blunt instrument how cheap
life has become in the ghetto.
Peter Bradshaw
The Guardian

Relationships, allegiances, and enmities


Carrot Li’l Zé

Knockout
Ned

Loves

Friends

Kills

Kills

Team up against Li’l Zé

Enemies

Rocket
(Narrator)

Angélica Goose

Benny Shaggy Clipper

Ned’s
Girlfriend

Blackie

Brothers

Partners in crime

The Tender Trio

Brothers Friends Kills

Boyfriend

Rapes

Boyfriend
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