The Mythology Book

(Chris Devlin) #1

T


he continent of Africa is
rich in myth, which divides
into two categories: the
mythology of ancient Egypt, which
we know from ancient inscriptions
and manuscripts; and the varied
and vigorous mythologies of sub-
Saharan Africa, which we know
from robust oral traditions that
began to be recorded in the 19th
century by anthropologists.

Egyptian mythology
The development of ancient Egypt
can be broadly arranged into three
main periods: the Old Kingdom
(2686–2181 BCE), the Middle
Kingdom (2055–1650 BCE), and the
New Kingdom (1550–1069 BCE).
Yet its roots date back to the Early
Dynastic Period starting in 3100 BCE,
and its history stretches forward
into the period of Roman rule and

the Common Era. Such a long time
period—with separate eras defined
by cultural development—would
suggest that Egyptian mythology
might also have evolved, but in fact
there is remarkable consistency
throughout Egyptian history. This
is partly because the mythology
was always very supple and
flexible, able to absorb ambiguities
and downright contradictions.
Egyptian texts speak of “tens of
thousands and thousands of gods,”
but all these gods are, in essence,
aspects of the original creator, the
“lord without limit.” Therefore, gods
could split into two, or coalesce
with other gods, as required. The
pharaoh Akhenaten (1352–1336 BCE)
tried to rationalize the overlapping
muddle of Egyptian deities and
focus all worship on the Aten,
represented by the visible disc

of the sun, regarded as the sole
creator and sustainer of the world.
This radical move threw Egypt into
turmoil. An inscription in the name
of Akhenaten’s successor, the boy
king Tutankhamun, tells how “the
temples of the gods and goddesses
fell to pieces. ... The land was
turned topsy-turvy, and the gods
turned their backs on it. ... If
anyone prayed to a god or goddess
for help, they would not come.
Their hearts were broken.”
Over the course of 3,000 years,
aspects of Egyptian myth that at
first applied only to the kings were
extended, until all Egyptians could
hope for new life after death, in the
Field of Reeds. This idealized vision
of Egyptian life in the Nile Delta
was located in the east where the
sun rises. Inscriptions of spells and
prayers that first appear in the Old

INTRODUCTION


2494 –2181 BCE


CA. 2181–1650 BCE 30 BCE 17 TH CENTURY CE


CA. 1550–50 BCE^1 ST CENTURY CE 1881–1914


The Pyramid
Texts are etched
into the tombs of 10
Egyptian rulers by
unknown scribes.

Hundreds of funerary spells
are inscribed on the tombs
of ordinary Egyptians and
are later collected as the
Coffin Texts.

With the defeat
of Mark Antony
and the death of
Cleopatra, Rome
conquers Egypt.

Greek philosopher
Plutarch revisits
the Egyptian myth
of Isis and Osiris.

European traders begin
to enslave Africans
and ship them overseas,
ultimately creating
a global diaspora.

Spells and advice to
guide people through
the Underworld are
collected in the Book
of the Dead.

In the “Scramble
for Africa,”
European powers
divide the African
continent into colonies.

264


1906


E. A. Wallis Budge
researches the realm
of the dead (Duat) in
The Egyptian Heaven
and Hell.

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M. A. Murray’s
Ancient Egyptian
Legends details 11
mythological tales
from ancient Egypt.

British anthropologists
conduct field studies
in Africa, continuing
work informally begun by
missionaries and explorers.

Paul Radin presents
a wide array of
myths in African
Folktales and
Sculpture.

Nigerian linguist
Wande Abimbola
collects poetry from
the Ifá system
of divination.

Pierre Fatumbi
Verger’s Yor u bá
Gods in Africa and
in the New World
is published.

Marcel Griaule’s
Conversations with
Ogotemmêli
transcribes Dogon
oral traditions.

In Oral Literature
of the Maasai, Naomi
Kipury elaborates on
the traditions of the
Kenyan people.

Stephen Belcher
collects origin
myths from
throughout the
African continent.

Kingdom pyramids of the pharaohs
(Pyramid Texts) were adapted for
private use in the Middle Kingdom
(Coffin Texts), and by the New
Kingdom they had been codified
in the most famous Egyptian text
of all, the Book of the Dead. Most
Egyptian myths have to be pieced
together from mentions in such
spells, but a few were written
down in narrative form, notably The
Contendings of Horus and Seth—a
violent and comic tale of trickery
and rivalry between two gods.

Sub-Saharan tales
The Akan-Ashanti trickster
Ananse, who is both a man and a
spider, is a fountainhead of comic
and violent storytelling, and
Ananse stories have spread across
West Africa, to the Caribbean and
the US. Oral storytelling is fluid and

adaptable, and can easily transfer
across boundaries in this way.
Gods and traditions of West African
peoples such as the Yorùbá and the
Fon traveled with enslaved
Africans to the New World, where
they formed the basis of new
“voodoo” religions. Legba, the Fon
equivalent of the Yoruba god Eshu,
became the Vodou god Legba.
If the system of Ifá divination
presided over by Eshu—a god who
can assume 256 different forms—
seems complicated, it is nothing
when compared to the convoluted
metaphysics of the myths of the
Dogon in Mali. Their highly
complex belief system embodies
the fundamental idea that humanity
is the “seed” of the universe, and
the human form echoes both the
first moment of creation and the
entire created universe. Each

Dogon village is laid out in the
shape of a human body, and is
regarded as a living being.

Living religions
The impact of Sub-Saharan
mythologies on people’s daily lives
is still evident. The East African
myth of En-kai creating cattle
and giving them to the Maasai laid
the cultural foundations for that
people’s way of life. The poetic
myths of the San Bushmen of the
Kalahari desert in southern Africa
tell of the doings of the Early Race
of beings who are both human and
animal, such as the creator Kaang.
Both man and mantis, Kaang
dreamed the world into being.
Today, San shamans still enter a
similar dream state to exercise
powers such as rainmaking,
healing, or hunting magic. ■

ANCIENT EGYPT AND AFRICA


1913


CA. 1930 1953 1981 2005


1948 1977 1983


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