The Mythology Book

(Chris Devlin) #1

304


D


ating back to between
50,000 and 65,000 years
ago, Aboriginal
Australians have the longest
continuous cultural history of any
peoples on earth. Prior to the
European invasion of Australia in
1788, around 600 different groups of
Aboriginal peoples existed, each
with its own language. Common to
these groups is the Dreaming or
Dreamtime, a term anthropologists
gave to the Aboriginal concept of a
formative period or state in which
ancestral creator spirits emerged
and landscapes, animals, and
people were formed. The creator
spirits gave each group its tools,
language, and culture, and laid
down the laws by which the people
were to live.
The Dreaming can be expressed
through song, dance, painting, and
storytelling, creating a tapestry of
knowledge, cultural values, and
belief systems that are passed
down the generations. Each
Aboriginal group has its own
creation stories, although some are
shared. They explain the close
relationship between the land and

the Aboriginal people and why
caring for nature and wildlife is so
important to Aboriginal culture.

Fertility mother
One of the most important
Dreaming stories for the Gagudju
people of the Kakadu area in the
Northern Territory is that of the
creator spirit Warramurrungundjui.
The story tells how life began when
Warramurrungundjui emerged from
the sea and gave birth to the first
people, equipping them with
various languages. She created
mountains and creeks, and used
her digging stick to create water
holes—still important not only as
a life source but also as a place
to meet and honor the creator
beings. She also carried a bag
filled with yams and other plants
to scatter on her wanderings.
Warramurrungundji controlled the
weather, too, and could summon
rain, wind, and drought.

THE DREAMING


Dancers perform at the Laura
Aboriginal Dance Festival, in Laura,
a sacred meeting ground for Aboriginal
peoples in Cape York, a remote area
in Far North Queensland. The area is
known for its spectacular rock art.

IN BRIEF


THEME
Living landscape

SOURCES
Oral tradition, recorded in
Kakadu, Looking After the
Country the Gagudju Way,
S. Breeden and B. Wright,
1989 ; and in Dreamtime
Kullilla Dreaming Stories:
Michael J. Connolly
(Munda-gutta Kulliwari), 2009.

SETTING
Dreamtime, Australia.

KEY FIGURES
Warramurrungundjui The
creator; fertility mother.

Rainbow Serpent A feared
creator; also known as Almudj
and Ngalyod.

Biami A creator spirit.

Gumuk Winga An old
woman.

Our spirituality is a oneness
and an interconnectedness
with all that lives and
breathes, even with what
does not live or breathe.
Mudrooroo
Australian novelist and poet (b. 1938)

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The rock paintings of fish at
Nanguluwur Rock Art Site at Kakadu
National Park, Northern Territory,
were made during the estuarine period
(6000 bce–500 ce), when sea waters
rose and valleys flooded.

After creating the whole landscape,
Warramurrungundji turned herself
into a rock, so that she would be
ingrained in the landscape forever.
Today, the Gagudju people honor
her in sacred fertility ceremonies.

Rainbow serpent
Like most Aboriginal tribes, the
Gagudju people revere the Rainbow
Serpent. Dreaming stories tell how
the serpent, whom the Gagudju call
Almudj or Ngalyod, forged passages
through rocks, created waterholes,
and split rock faces to make hills.
Unlike many Dreamtime figures
who could shapeshift into humans
or animals and back again, Almudj
never changed her form.
Almudj created the wet season,
enabling all forms of life to multiply.
She is a creative force, but she is
also feared and does not like to be
disturbed. If angered, she can flood
the land and drown anyone who
breaks her laws. She lives in a deep,
dark pool beneath the waterfall at
Djuwarr Rock, southeast of Darwin.
At times, Almudj can be seen
standing on her tail, creating a
rainbow in the sky.
The image of the Rainbow
Serpent is common in rock art,
especially in paintings dating from
the end of the pre-estuarine period
(ca. 60,000–6,000 bce), and often
appears alongside images of yams.
Archaeologists believe that rising
sea levels caused changes in the
physical environment that brought
about a reliance on wild yams
during this period. Yams needed
water, and Almudj provided it.

Creator and lawgiver
According to the Dreaming stories
of the Kullilli people of southwest
Queensland, the Rainbow Serpent

lay dormant underground until she
awoke in the Dreaming and pushed
her way to the surface. She traveled
the land, leaving behind the
imprint of her body wherever she
slept. After covering the whole
earth, she called to the frogs, but
they were sluggish, their bellies full
of water after the long sleep of the
Dreaming. The Rainbow Serpent
tickled their stomachs and when
the frogs laughed, water flowed out
of their mouths and filled the hollow
tracks left by the serpent on her
travels. This created rivers and
lakes, which, in turn, woke all the
animals and plants of the land.
The Rainbow Serpent then
created laws that would govern all
living beings. When some of the
creatures began to cause trouble, ❯❯

See also: Creation 18–23 ■ Creation of the universe 130–33 ■ Creation of the world by Pan Gu 214–15 ■
Cherokee creation 236–37 ■ Creation of the world by Kóoch 260–61 ■ The creation 266–71

OCEANIA


Dreamtime


The origin of the term
“Dreamtime” can be traced
back to Francis Gillen, a late
19th-century stationmaster
and ethnologist who worked
in Alice Springs and spoke
Arrernte, the language of
Aboriginal people in central
Australia. He coined the term
Dreamtime to represent the
belief system of Altyerrenge, a
word that means “to see and
understand the law.”
Gillen met and worked
with Walter Baldwin Spencer,
a Lancashire-born biologist
and anthropologist studying
Arrernte, who used Gillen’s
term in his 1896 account of
an expedition to Cape Horn.
Without this endorsement,
the term might never have
left Alice Springs. Today, the
term “Dreamtime” is applied
to all Australian Aboriginal
belief systems.

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