131
Lady-in-
waiting
and
confidante
Love each other
Friends
something which, to term in gross, /
Is an unlessoned girl, unschooled,
unpractiséd, / Happy in this, she is
not yet so old” (3.2.157–160).
For Shylock, this would make
her utterly worthless. For him,
without money, there is no life.
“Nay, take my life and all,” he
wails when the Duke threatens to
take all his wealth in punishment
for his crime, “you take my life /
When you do take the means
whereby I live” (4.1.373–374).
But the Christians in Venice
are perhaps only slightly less
obsessed with the making and
spending of money. To achieve
a happy ending, all the couples
must leave the commercial world
of Venice behind entirely and
escape to the paradise of Portia’s
home in Belmont. Only there can
Lorenzo and Jessica see that the
real riches are in the beauties of
the night and music: “the floor
of heaven / Is thick inlaid with
patens of bright gold” (5.1.58–59).
It is also in Belmont that Antonio
receives the happy news that his
ships are safe, after Portia assures
him with a letter that she has
mysteriously acquired. But this
happiness has come at a cost.
Back in Venice, Shylock is a lonely
and broken man, humiliated and
vilified, with most of his money
gone, his renegade daughter absent
and waiting upon his death, when
she will inherit what wealth of his
THE LORD CHAMBERLAIN’S MAN
remains. Elizabethan audiences
may have seen this outcome
as just deserts for the Jew.
But Shakespeare manages to
portray Shylock’s fall as an all
too human event. ■
Demonized Jewry Jews had been banished from
England since 1290, and they
remained banished until
1655, when the Jewish scholar
Manasseh ben Israel gained
Oliver Cromwell’s assent for Jews
to return. There were a handful
of Jews in London in Elizabethan
times, but none would have been
able to profess their religion
openly, on pain of death. London
Jews in the 1590s were mostly
Marranos—descendants of forced
Jewish converts from Portugal
and Spain—including the queen’s
doctor Rodrigo Lopez, who was
hung, drawn, and quartered in
1594, accused of conspiring
to poison the Queen. Some
scholars believe Lopez was the
inspiration for Shylock, but there
was no shortage of negative role
models for Shakespeare to draw
on, not least Marlowe’s Barabas.
With the Christian ban on usury,
Jews had long been forced
into the role of moneylenders.
Prejudice was rife, partly
because Jews were blamed
by Christians for the betrayal
of Christ. Jews were demonized
in many ways—blamed for
spreading the plague and
associated with witches.
Jewish
The friends in Venice
Antonio
Friends
Lorenzo
Love each other
Graziano
Nerissa Jessica
Bassanio Shylock
Guarantees
Bassanio’s
debt
Friends
Daughter to
Owes money to
Portia
Defeats in court
Christian