120 LAW 16
Themoment
you
allow
yourself
tobetreatedlike
anyone
else,
itistoo
late--you
areswallowedand
digested
To
prevent
this
you
needtostarve
theother
poison
of
your
presence.
Forcetheir
respectbythreatening
them
withthe
possibility
that
they
willlose
you
for
good;
createa
pattern
of
pres-
enceandabsence.
Once
you
die,
everything
about
you
willseemdifferent.Youwillbe
surrounded
by
aninstantauraof
respect.People
willremembertheircriti~
cismsof
you,
their
arguments
with
you,
andwillbefilledwith
regret
and
guilt.They
are
missing
a
presence
that
willneverreturn.But
you
donot
havetowaituntil
you
die:
Bycompletelywithdrawing
for
a
while,
you
cre-
ateakindofdeathbeforedeath.Andwhen
you
come
back,
itwillbeasif
you
hadcomebackfromthedead--anairofresuirectionwill
cling
to
you,
and
people
willberelievedat
your
return.ThisishowDeiocesmadehim~
self
king.
Napoleon
was
recognizing
thelawofabsence
and
presence
when
he
said,
“IfIamoftenseenatthe
theater,
people
willceasetonoticeme.”
Today,
inaworldinundatedwith
presence
through
thefloodof
images,
the
game
ofwithdrawalisallthemore
powerful.
We
rarely
knowwhento
withdraw
anymore,
and
nothing
seems
private,
soweareawed
byanyone
whoisableto
disappearby
choice.Novelists
J.
D.
Salinger
andThomas
Pynchon
havecreatedcultlike
followingsbyknowing
when
to
disappear.
Another,
more
everyday
sideofthis
law,
butonethatdemonstrates
itstrutheven
further,
isthelawof
scarcity
inthescienceofeconomics.
Bywithdrawingsomething
fromthe
market,
you
createinstantvalue.In
seventeenth-century
Holland,
the
upper
classeswantedtomakethe
tulip
morethan
just
abeautiful
flower——they
wantedittobeakindofstatus
sym~
bol.
Making
theflower
scarce,
indeedalmost
impossible
to
obtain,
they
sparked
whatwaslatercalled
tulipomania.
A
single
flowerwasnowworth
morethanits
weight
in
gold.
Inourown
century,similarly,
theartdealer
Joseph
Duveeninsistedon
making
the
paintings
hesoldasscarceandrare
as
possible.
To
keep
their
prices
elevatedandtheirstatus
high,
he
boughtup
wholecollectionsandstoredtheminhisbasement.The
paintings
thathe
soldbecamemorethan
justpaintings-—t.hey
werefetish
objects,
theirvalue
increased
by
their
rarity.
“Youcan
get
allthe
picturesyou
wantat
fifty
thou-
sanddollars
apiece~—-that’seasy,”
heoncesaid.“Butto
getpictures
ata
quarter
ofamillion
apiece—that
wants
doing!”
I Ina
g
e:
TheSun.Itcan
only
be
appreciatedby
itsabsence.
The
longer
the
days
of
rain,
the
morethesuniscraved.Buttoo
many
hot
days
andthesun overwhelms.
Learnto
keepyourself
obscureand
make
people
demand
your
return