The 48 Laws Of Power

(Utkarsh JhaWsTmab) #1

120 LAW 16


Themoment
you

allow

yourself

tobetreatedlike
anyone
else,
itistoo

late--you

areswallowedand

digested

To
prevent

this
you

needtostarve

theother
poison

of
your
presence.

Forcetheir

respectbythreatening

them

withthe

possibility

that

they

willlose
you

for

good;

createa
pattern

of
pres-

enceandabsence.

Once
you
die,

everything

about
you

willseemdifferent.Youwillbe

surrounded

by

aninstantauraof

respect.People

willremembertheircriti~

cismsof
you,

their
arguments

with
you,

andwillbefilledwith
regret

and

guilt.They

are

missing

a
presence

that
willneverreturn.But
you

donot

havetowaituntil
you

die:

Bycompletelywithdrawing

for
a
while,
you

cre-

ateakindofdeathbeforedeath.Andwhen
you

come

back,

itwillbeasif

you

hadcomebackfromthedead--anairofresuirectionwill

cling

to
you,

and

people

willberelievedat
your

return.ThisishowDeiocesmadehim~

self

king.

Napoleon

was
recognizing

thelawofabsence
and
presence

when
he

said,

“IfIamoftenseenatthe

theater,

people

willceasetonoticeme.”

Today,

inaworldinundatedwith
presence

through

thefloodof

images,

the

game

ofwithdrawalisallthemore

powerful.

We

rarely

knowwhento

withdraw
anymore,

and

nothing

seems
private,

soweareawed

byanyone

whoisableto

disappearby

choice.Novelists

J.

D.

Salinger

andThomas

Pynchon

havecreatedcultlike

followingsbyknowing

when
to

disappear.

Another,

more

everyday

sideofthis

law,

butonethatdemonstrates

itstrutheven
further,

isthelawof

scarcity

inthescienceofeconomics.

Bywithdrawingsomething

fromthe
market,
you

createinstantvalue.In

seventeenth-century

Holland,

the
upper

classeswantedtomakethe

tulip

morethan
just

abeautiful
flower——they

wantedittobeakindofstatus
sym~

bol.

Making

theflower
scarce,
indeedalmost

impossible

to
obtain,

they

sparked

whatwaslatercalled

tulipomania.

A

single

flowerwasnowworth

morethanits

weight

in

gold.

Inourown

century,similarly,

theartdealer

Joseph

Duveeninsistedon

making

the

paintings

hesoldasscarceandrare

as

possible.

To

keep

their

prices

elevatedandtheirstatus

high,

he

boughtup

wholecollectionsandstoredtheminhisbasement.The

paintings

thathe

soldbecamemorethan

justpaintings-—t.hey

werefetish

objects,

theirvalue

increased
by

their
rarity.

“Youcan
get

allthe

picturesyou

wantat
fifty

thou-

sanddollars

apiece~—-that’seasy,”

heoncesaid.“Butto

getpictures

ata

quarter

ofamillion

apiece—that

wants
doing!”

I Ina
g

e:

TheSun.Itcan

only

be

appreciatedby

itsabsence.

The

longer

the

days

of
rain,
the

morethesuniscraved.Buttoo
many

hot

days

andthesun overwhelms.

Learnto

keepyourself

obscureand

make

people

demand
your

return
Free download pdf