I62
LAW‘ll
a
highprice.Among
the
guests
wasa
young
Frenchartcriticwhoseemed
extremelyknowledgeable
andconfident.
Wanting
to
impress
this
man,
the
tyeoon’sdaughter
showedhimthe
Diirer,
whichhadnot
yet
been
hung.
Thecriticstudieditfora
time,
then
finally
said,
“You
know,
Idon’tthink
thisDiireris
right.”
Hefollowedthe
young
womanasshehurriedtotell
herfatherwhathehad
said,
andlistenedasthe
magnate,
deeply
unsettled,
turnedtoDuveenforreassurance.Duveen
justlaughed.
“How
very
amus-
ing,”
hesaid.“Do
you
realize,
young
man,
that
at
least
twenty
otherart
ex-
perts
hereandin
Europe
havebeentaken
in
too,
andhavesaid
that
painting
isn’t
genuine?
Andnow
you’ve
madethesamemistake.”Hiscon-
fidenttoneandairof
authority
intimidatedthe
Frenchman,
who
apolo-
gized
forhismistake.
Duveenknewthattheartmarketwasfloodedwith
fakes,
andthat
manypaintings
hadbeen
falsely
ascribedtooldmasters.Hetriedhisbest
to
distinguish
therealfromthe
fake,
butinhiszealtosellheoftenover-
played
awork’s
authenticity.
Whatmatteredtohimwasthatthe
buyer
be-
lieved he had
bought
a
Diii-er,
and that Duveenhimself convinced
everyone
ofhis
“expertness”through
hisairof
irreproachableauthority,
Thus,
itis
important
tobeableto
play
the
professor
when
necessary
and
never
impose
suchanattitudeforitsownsake.