I62
LAW‘ll
ahighprice.Among
the
guestswasa
youngFrenchartcriticwhoseemedextremelyknowledgeable
andconfident.Wanting
toimpress
this
man,thetyeoon’sdaughter
showedhimthe
Diirer,whichhadnot
yetbeenhung.
Thecriticstudieditfora
time,
then
finallysaid,
“You
know,
Idon’tthinkthisDiireris
right.”Hefollowedthe
youngwomanasshehurriedtotellherfatherwhathehadsaid,
andlistenedasthe
magnate,deeply
unsettled,
turnedtoDuveenforreassurance.Duveenjustlaughed.
“How
veryamus-ing,”
hesaid.“Do
you
realize,
young
man,
that
at
least
twentyotherart
ex-perts
hereandinEurope
havebeentaken
in
too,
andhavesaid
thatpaintingisn’tgenuine?
Andnowyou’ve
madethesamemistake.”Hiscon-fidenttoneandairofauthority
intimidatedthe
Frenchman,
whoapolo-
gized
forhismistake.Duveenknewthattheartmarketwasfloodedwith
fakes,
andthatmanypaintings
hadbeenfalsely
ascribedtooldmasters.Hetriedhisbesttodistinguish
therealfromthe
fake,
butinhiszealtosellheoftenover-played
awork’sauthenticity.
Whatmatteredtohimwasthatthebuyer
be-lieved he hadbought
a
Diii-er,and that Duveenhimself convincedeveryoneofhis“expertness”through
hisairofirreproachableauthority,
Thus,
itis
importanttobeabletoplay
theprofessor
when
necessaryandneverimpose
suchanattitudeforitsownsake.