to
beguile
thecommittee
with
well—crafted
responses
that
were
ambiguous,
funny,
and
double—edged.
Insteadofan
angry,
heartfelt
tirade,
herancir-
clesaroundthemwitha
stagedproduction,
and
they
lethimoffscot-free.
Otherdramaticeffectsfor
yourrepertoire
includethebeau
geste,
an
actionataclimacticmomentthat
symbolizesyourtriumph
or
your
bold-
ness.Caesar’sdramatic
crossing
oftheRubiconwasabeau
geste——a
move
thatdazzledthesoldiersand
gave
himheroic
proportions.
Youmustalso
appreciate
the
importance
of
stage
entrancesandexits.When
Cleopatra
firstmetCaesarin
Egypt,
shearrivedrolled
up
ina
carpet,
whichshe
arranged
tohaveunfurledathisfeet.
GeorgeWashington
twiceleft
power
withflourishandfanfare
(first
asa
general,
thenasa
president
whorefused
tositfor
a
third
term),
showing
heknewhowtomakethemoment
count,
dramatically
and
symbolically.
Yourownentrancesandexitsshouldbe
crafiedand
planned
as
carefully.
Rememberthat
overacting
canbe
counte1productive—it
isanother
way
of
spending
toomucheffort
trying
toattractattention. Theactor
Richard
Burtondiscovered
early
inhiscareerthat
bystandingtotally
still
onstage,
hedrewattentiontohimselfand
away
fromtheotheractors.Itis
lesswhat
you
dothat
matters,
clearly,
than
how
you
do
it—yourgraceful-
nessand
imposing
stillnessonthesocial
stage
countformorethanoverdo»
ingyourpart
and
moving
aroundtoomuch.
Finally:
Learnto
playmany
roles,
tobewhateverthemomentre»
quires.Adaptyour
masktothesituation-be
protean
inthefaces
you
wear.
Bismarck
played
this
game
to
perfection:
To
a
liberalhewas
a
liberal,
to
a
hawkhewasahawk.Hecould notbe
grasped,
andwhatcannotbe
grasped
cannotbeconsumed.
I m a
g
e :
TheGreek Sea—God Proteus.
His
power
camefromhis
ability
to
changeshape
at
will,
tobewhateverthe
moment
required.
When
Menelaus,
brother
of
Agarnemnon,
tried to seize
him,
Proteus
transformedhimself
intoa
lion,
thena
serpent,
a
panther,
a
boar,
running
water,
and
finally
a
leafy
tree.
Authority:
Knowhowtobeall
things
toallmen.AdiscreetProteus—a
scholar
among
scholars,
asaint
among
saints.
Thatistheartof
winning
over
everyone,
forlikeattractslike.Takenoteof
temperaments
and
adaptyour
selftothatofeach
personyou
meet—followtheleadoftheseriousand
jovial
in
turn,
changingyour
mood
discreetly.
(Baltasar
Gracian,
1601-1658)
198 LAW 25