mnszrrr
laugh
at
your
expen.w.
To.s‘u'm(:r:thzrir
('fl(‘klI‘,,
should
you
handout
rough
Pzinixhmmt?
Maybe
you
‘renor
.vtmn,g
mouglt.
Bauer
persuade
them
toattack
Samebolly
efxv,who
ammorethan
pay
iherrtback.
.\ELE('l'EUFABLES.
JrAVor;LAFnx'miNIv'.
1621-1695
IHi‘.
|\|)l,\\Bllll)
Amerrlmm
kip!
abird
ina
cage.
liewas
going
to
India,
me[mid
from
wliichshehirrl
zwmt’.
andaskeditwlwtiier/11:
maid
bringanyimng
back
for
2!.The
bird
{1$‘f((.’(l
for
in‘
frecdrml,
Innwas
refused.
Sohe
u.\‘l<cr!rimrm'rr/rantto
visit:1
jmlglt:
IllIndia
andannouncehis
caplivily
lothe
[rev
birdswhnwerethere.
Themnrtrhrlritrift]S17.
andno
.S‘(I(IHk'!’hadhe
sprxicm
wlmn:1wild
bird,
just
likehis
own.
fell
senselessno:
of
:1
macantothe
ground.
Timmerchant
Ilzoughr
thatthismustbyarole»
rive
afliix
ownbird,
und
/bl:
xmlrlmthe
slzouldhavemuralt/tis
detlrh.
Whenhe
got
home,
the
hm!a.i'k¢=zl'himwhrrtller
hehad
broughtgood
news
from
India,
"No.".wr1'r1the
anew'chzm!_“I
feel
that
my
news:ishim.(Me
of
2!!)
LAW 26
relativewhohadfallen
intodebt.But
although
Soemonhad
managed
to
bailouthis
relative,
hehad
simplydisplaced
theburdenontohimself.
DaizenknewSoemonwell—-heneithercarednotunderstoodmuch
about
money,
andcould
easilyget
intotrouble
through
slownessin
repaying
the
loan,
whichhadbeen
made
by
it
wealthy
merchant
called
Kawachiya
Sanemon.
Yetif
Daizenoffered
to
help
Soemon
pay
backthe
loam,
he
would
refuse,
outof
pride,
and
might
evenbeoffended.
One
day
Daizenvisitedhis
friend,
andafter
touring
the
garden
and
looking
atSoemon’s
prizedpeonies,they
retiredtohis
reception
room.
HereDaizensawa
paintingby
themaster
Kano
Tennyu.
“Ah,”
Daizenex-
claimed,
“a
splendidpiece
of
painting.
.. .Idon’tknowwhenIhaveseen
anything
I
likebetter.”Afterseveralmoreboutsof
praise,
Soemonhadno
choice:
“Well,”
he
said,
“since
you
likeitso
much,
I
hopeyou
willdome
thefavorof
accepting
it.”
AtfirstDaizen
refused,
butwhen
Soemoninsistedhe
gave
in.The
next
day
Soemon
in
turnreceiveda
package
fromDaizen.Insideitwasa
beautiful
anddelicate
vase,
which
Daizen,
inan
accompanying
note,
asked
hisfriendto
accept
asatokenofhis
appreciation
forthe
painting
that
Soe~
monhadso
graciouslygiven
him
the
day
before.He
explained
thatthe
vasehad beenmade
by
Sen
no
Rikyu
himself,
and
borean
inscription
from
EmperorHideyoshi.
If
Soemondidnotcareforthe
vase,
Daizen
sug~
gested,
he
might
makea
gift
ofittoanadherentof
Cha«no—yu—-perhaps
themerchant
Kawachiya
Sanemon,
whohadoften
expressed
a
desireto
possess
it.“I
hear,”
Daizen
continued,
“hehasafine
piece
of
fancypaper
[the
3()()~ryo
I.O.U.]
which
you
wouldmuchlike.Itis
possible
youmight
arrange
an
exchange.”
Realizing
what
his
gracious
friendwas
up
to,
Soemontookthevaseto
the
wealthy
lender.“However did
you get
this,”
exclaimed
Sanemon,
whenSoemonshowedhimthevase.“I
haveoftenheard
of
it,
but
thisisthe
firsttimeIhaveeverseenit.Itissucha
treasure
thatit
isneverallowed
outsidethe
gate!”
He
instantly
offeredto
exchange
thedebtnoteforthe
flower
vase,
andto
give
Soemon 300
ryo
moreon
top
ofit.But
Socmon,
who did not care for
money,only
wantedthe debtnote
back,
and
Sanemon
gladlygave
ittohim.
ThenSoemon
immediately
huniedto
Daizen’s
house
tothank
himforhisclever
support
Interpretation
Kuriyama
Daizenunderstoodthatthe
granting
ofafavorisnever
simple:
Ifitisdonewithfussand
obviousness,
itsreceiverfeels
burdened
by
an
obligation.
This
maygive
thedooracertain
power,
butitisa
power
that
will
eventually
self-destruct,
foritwillstir
up
resentmentandresistance.A
favordone
indirectly
and
elegantly
has tentimesmore
power.
Daizen
knewadirect
approach
would
only
haveoffendedSoemon.
Byletting
his
friend
give
himthe
painting,
however,
he
made
Soemon
feelthathetoo
had
pleased
hisfriendwitha
gift.
In
the
end,
allthree
partiesemerged
from
theencounter
feeling
fulfilledintheirown
way.