his
methods,
buthewouldnottoleratean
outright
lie,
andin 1902 hechal-
lengedKleppini
toahandcuffduel.
Kleppiniaccepted.
Through
a
spy,
he
foundoutthesecretwordtounlocka
pair
ofFrenchcombination-lock
cuffs
thatHoudinilikedtouse.His
plan
wastochoosethesecuffsto
escape
from
onstage.
Thiswould
definitively
debunkHoudini—his
“genius”
sim-
ply
lay
inhis
use
ofmechanical
gadgets.
Onthe
night
ofthe
challenge,just
as
Kleppini
had
planned,
Houdini
offeredhimachoiceofcuffsandheselectedtheoneswiththecombination
lock.
Hewasevenableto
disappear
withthembehindascreentomakea
quick
test,
and
reemerged
seconds
later,
confident
of
victory.
Acting
as
if
he
sensed
fraud,
Houdinirefused
tolock
Kleppini
in
the
cuffs.Thetwomen
argued
and
began
to
fight,
even
wrestling
witheach
other
onstage.
Afterafewminutesof
this,
an
apparentlyangry,
frustrated
Houdini
gaveup
andlocked
Kleppini
inthecuffs.Forthenextfewminutes
Kleppini
strainedto
get
free.
Something
was
wrong——minutes
earlier
he
had
opened
thecuffsbehindthe
screen;
nowthesamecodeno
longer
worked.He
sweated,
racking
hisbrains.Hourswent
by,
theaudience
left,
and
finally
anexhaustedandhumiliated
Kleppini
gaveup
andaskedtobe
released.
Thecuffsthat
Kleppini
himselfhad
opened
behindthescreenwiththe
word “C—L—E-F—S”
(French
for
“keys”)
nowclicked
openonly
withthe
word“F-R-A-U-D.
”Kleppini
never
figured
outhowHoudinihadaccom-
plished
this
uncanny
feat.
Interpretation
Although
we
donotknow
forcertainhow
Houdini
accomplishedmany
of
hismost
ingeniousescapes,
one
thing
isclear:Itwasnotthe
occult,
or
any
kindof
magic,
that
gave
himhis
powers,
buthardworkandendless
prac-
tice,
allofwhichhe
carefully
concealedfromtheworld.Houdinineverleft
anything
to
chance-—-day
and
night
hestudiedthe
workings
of
locks,
re-
searchedcenturies-old
sleight—of-hand
tricks,
pored
over
books
onmechan
ics,
whateverhecoulduse.
Every
momentnot
spentresearching
he
spent
working
his
body,keeping
himself
exceptionally
limher,
and
learning
how
tocontrolhismusclesandhis
breathing.
Early
oninHoudini’s
career,
anold
Japaneseperformer
whomhe
touredwith
taught
himanancient
trick:
how
to
swallowan
ivory
ball,
then
bring
itback
up.
He
practiced
this
endlessly
withasmall
peeled
potato
tied
toa
string—up
anddownhewould
manipulate
the
potato
withhisthroat
muscles,
until
they
were
strong
enough
tomoveitwithoutthe
string.
The
organizers
oftheLondonhandcuff
challenge
hadsearchedHoudini’s
body
thoroughly
beforehand,
butno
onecouldchecktheinsideofhis
throat,
wherehecouldhaveconcealedsmalltoolsto
help
him
escape.
Even
so,
Kleppini
was
fundamentallywrong:
ItwasnotHoudini’stoolsbuthis
prac-
tice,work,
andresearchthatmadehis
escapespossible.
Kleppini,
in
fact,
was
completely
outwitted
by
Houdini,
whosetthe
whole
thingup.
Helethis
opponent
learnthecodetotheFrench
cuffs,
Keep
theexrent
nfyour
abilitiesunknown.The
wisemandoesnot
allowhIS
knowledge
andabilitiestobe
roundedtothe
bottom,
ifhe
desirestobe
honored
by
all.He
allows
you
toknow
thembut710!to
comprehend
them.No
onemustknowthe
extent
of/zit
abilities
lesthebe
disappointed.
Nooneeverhasan
opportunityoffazhmw
ing
him
entirely.
Fur
guesses
anddoubts
aboutthe
extem
ofhis
taletusarousemore
venerationthanaccu—
rule
knowledgeof
them,
be
they
everso
great.
BALTASARGRACIAN,
1601-1658
LAW 30 249