2&0 LAW’ 31
The
Shrinking Options.Thelatemineteenth-century
art dealerAm-broiseVollardperfected
thistechnique.
CustomerswouldcometoVolla.rd’sshop
toseesomeCézannes.Hewouldshowthreepaintings,
neglect
tomentionaprice,
andpretend
todozeoff.Thevisitorswouldhavetoleavewithoutdeciding.They
wouldusually
comeback
the
nextday
toseethepaintingsagain,
butthistimeVollardwould
pulloutless
interesting
works,pretending
hethoughtthey
were
thesameones.Thebaffledcustomerswouldlookatthe
new
offer-ings,
leavetothinkthem
over,andreturnyetagain.
Onceagain
thesamething
wouldhappen:
Vollardwouldshowpaintings
oflesserquality
still.Fi-nally
thebuyers
would
realizethey
hadbettergrab
whathewasshowing
them,
becausetomorrowthey
wouldhavetosettle
forsomething
worse,perhaps
atevenhigher
prices.Avariationonthistechnique
istoraisethe
priceeverytimethebuyer
hesitatesandanotherday
goesby.
Thisisanexcellent
negotiatingploy
touseonthechronically
indecisive,whowillfallfortheideathatthey
are
get-tinga
better
dealtoday
thanifthey
wait
till
tomorrow.TheWeakManonthe
Precipice.Theweakaretheeasiesttomaneuverby
controllingtheiroptions.
CardinaldoRetz,
the
greatseventeenth~cen-turyprovocateur,servedasanunofficialassistanttotheDukeof
Orléans,whowasnotoriously
indecisive.
Itwasaconstantstruggle
toconvincetheduketotakeaction»-—-hewouldhemand
haw,weigh
theoptions,
and
waittillthelast
moment,
givingeveryonearoundhimanulcer.ButRetzdiscov~ereda
waytohandlehim:Hewoulddescribeallsortsofdangers,exaggep
atingthemasmuchaspossible,
untilthedukesawa
yawningabyssineverydirection
exceptone:theoneRetzwaspushing
himtotake.Thistacticissimilarto“Colorthe
Choices,”
but
with
the
weak
youhavetobemoreaggressive.
Workontheiremotions—usefearandterrortopropel
themintoaction.Tn:
reasonandthey
willalways
finda
waytoprocrastinate.
BrothersinCrime.
This
is
a
classicconvartisttechnique:
Youattract
yourvictimstosomecriminalscheme,
creating
abondofbloodandguilt
be-tweenyou.Theyparticipate
inyourdeception,
commitacrime(or
thinkthey
do-—-seethe
storyofSamGeezilinLaw3),
andareeasilymanipu-
lated.SergeStavisky,
the
greatFrenchcon
artistofthe
1920s,
soentangled
the
governmentin
hisscamsand
swindlesthat
the
statedidnotdaretoprosecute
him,
and“chose”toleavehimalone.Itisoftenwisetoimplicate
inyourdeceptions
the
verypersonwhocando
youthemostharmif
youfail.Theirinvolvementcanbesubtle—-evenahintoftheirinvolvementwillnarrow
theiroptions
andbuy
theirsilence.The Horns ofa Dilemma.Thisideawasdemonstratedby
GeneralWilliamSherma.n’sinfamousmarchthrough
Georgia
during
theAmericanCivilWar.Although
theConfederatesknewwhatdirectionShermanwas