hudthemewsthatthe
manwhose
n*quN,\'tfor
lll£’fltU7l£"-l.‘t1lU/t:‘(l
cloak
hehad
formerlygrati-
fied
in
Egypt
had
become
kingofl’ar.s‘t'a.
Ilehutrietltr)Sum.mt
downattheentrance
of
the
royal
palttte,
and
claimedtobeincltttled
inthe
uflivial
list
ofther
kitigkhenojatrtorx‘
The
smtry
on
guard
rqmrtcri
hisclaimto
Darius,
whoaskedin
surprise
whotheman
might
be.“For
surely,
"
he
said.
“aslhaveso
mntntly
trtmtctotha
thmne,therertmrtnthe
(1rI_V
GreekI0whomI
amimlelmzd
for
t!
service.
lltmllyanyof
themhavebeenhere
yet.
andI
certainly
canrtotremember
owinganytltirtg
toa
Greek.But
bring
him
inallthe
Xtlltlt’,
thatI
may
knowwhatho
matrix
by
thtv
rlaim.
"
The
guard
escorted
Syluson
intothe
royal
[)re.s'ence,
andwhenthe
interpreters
askedhim
whohewasandwhat
hehaddormto
justify
thestatetrterttthathe
wasthe
king
is’
lJé'V1L’ft!C-
tor,hereminder!
Darittr
nfthestoryof
the
cloak,
andsaidthat
hewasthemanwho
had
given
ithim.
“Sir,
"
exclaimed
I)ariu.r,
“you
arethe
nmst
getmroax
o
ftmw;
for
whileIwasstill(1
person
ofrm
power
or
t.‘u’nS€¢]ttenL'eyougate
me
u
prt3\‘e‘!1I—.S‘I11ttll
indeed.
but
deserving
thantn‘much
gratitude
from
measwouldthe
most
splemlnlufgtfts
today.
1 will
give
you
in
returnIVIOH’xilwrand
gold
than
you
can
mum,
that
youmay
342 LAW 40
themostillustrious
patron
oftheartsthat
history
haseverknown.Not
only
didhe
spendlavishly
on
paintings,
hecreated
Italy’s
finest
apprentice
schoolsfor
young
artists.Itwasinoneoftheseschoolsthatthe
young
Michelangelo
first
caught
theattentionof
Lorenzo,
whoinvitedtheartistto
comeandliveinhishouse.HedidthesamewithLeonardodaVinci.Once
underhis
wing,Michelangelo
andLeonardo
requited
his
generosityby
be»
comingloyal
artistsinhisstable.
WheneverLorenzofanedan
enemy,
hewouldwieldthe
weapon
of
patronage.
When
Pisa,
Florence’straditional
enemy,
threatenedtorebel
against
itin
1472,
Lorenzo
placated
its
people
bypouringmoney
intoits
university,
whichhadoncebeenits
pride
and
joy
buthad
longago
lostits
luster.ThePisanshadnodefense
against
thisinsidious
maneuver,
whichsi-
multaneously
fed
theirloveofcultureandbluntedtheirdesireforbattle.
Interpretation
Lorenzo
undoubtedly
lovedthe
arts,
buthis
patronage
ofartistshada
prac-
ticalfunctionas
well,
ofwhichhewas
keenly
aware.InFlorenceatthe
time,
banking
was
perhaps
theleastadmired
way
of
makingmoney,
and
was
certainly
nota
respected
sourceof
power.
Theartswereattheother
pole,
the
pole
of
qua.si—religious
transcendence.
Byspending
onthe
arts,
Lorenzodiluted
people’sopinions
ofthe
ugly
sourceofhis
wealth,
disguis-
ing
himselfin
nobility.
Thereisnobetteruseof
strategicgenerosity
than
thatof
distracting
attentionfroman
unsavoryreality
and
wrapping
oneself
inthemantleofartor
religion.
ObservanceIV
LouisXIVhadan
eagleeye
forthe
strategic
power
of
money.
Whenhe
cametothe
throne,
the
powerfulnobility
had
recentlyproven
a
thump
in
the
monarchy’s
side,
andseethedwith
rebelliousness.Sohe
impoverished
these
aristocrats
bymaking
them
spend
enormoussumson
maintaining
their
position
inthecourt.
Making
them
dependent
on
royallargesse
for
their
livelihood,
hehadtheminhisclaws.
NextLouis
brought
thenoblestotheirkneeswith
strategicgenerosity.
Itwouldworklikethis:
Vtlheneverhenoticed
a
stubborncourtierwhosein-
fluenceheneededto
gain,
orwhose
troublemaking
heneededto
squelch,
hewouldusehisvastwealthtosoftenthesoil.Firsthewould
ignore
hisvic-
tim,
making
themananxious.Thenthemanwould
suddenly
findthathis
sonhadbeen
given
a
well»paidpost,
or
that
fundshadbeen
spentliberally
inhishome
region,
orthathehadbeen
given
a
painting
hehad
long
cov-
eted.PresentswouldflowfromLouis’shands.
Finally,
weeksormonths
later,
Louiswouldaskforthefavorhehadneededall
along.
Amanwho
hadoncevowedtodo
anything
to
stop
the
king
wouldfindhehadlostthe
desireto
fight.
A
straightforward
bribewouldhavemadehim
rebellious;
thiswasfarmore
insidious.
Facing
hardenedearth
in
which
nothing
could
take
root,
Louis
loosenedthesoilbeforehe
planted
hisseeds.
Interpretation
Louisunderstoodthatthereisa.
deep-rooted
emotionalelementinouratti-
tudeto
money,
anelement
going
backtochildhood.
Whenwearechil-