hudthemewsthatthemanwhose
n*quN,\'tforlll£’fltU7l£"-l.‘t1lU/t:‘(l
cloak
hehad
formerlygrati-fiedin
Egypthadbecome
kingofl’ar.s‘t'a.Ilehutrietltr)Sum.mtdownattheentrance
of
the
royal
palttte,andclaimedtobeincltttledinthe
ufliviallist
oftherkitigkhenojatrtorx‘
Thesmtry
on
guardrqmrtcri
hisclaimtoDarius,
whoaskedinsurprisewhothemanmight
be.“For
surely,"
he
said.
“aslhavesomntntlytrtmtctothathmne,therertmrtnthe(1rI_V
GreekI0whomIamimlelmzd
fort!service.
lltmllyanyofthemhavebeenhereyet.andI
certainlycanrtotrememberowinganytltirtg
toaGreek.But
bringhiminallthe
Xtlltlt’,
thatImay
knowwhathomatrix
bythtv
rlaim."
The
guardescortedSyluson
intothe
royal[)re.s'ence,
andwhentheinterpretersaskedhimwhohewasandwhathehaddormto
justifythestatetrterttthathewasthe
kingis’
lJé'V1L’ft!C-tor,hereminder!Darittr
nfthestoryofthe
cloak,
andsaidthathewasthemanwhohad
given
ithim.“Sir,"
exclaimedI)ariu.r,
“youarethenmst
getmroax
o
ftmw;forwhileIwasstill(1person
ofrm
power
ort.‘u’nS€¢]ttenL'eyougateme
u
prt3\‘e‘!1I—.S‘I11ttllindeed.
but
deservingthantn‘much
gratitudefrom
measwouldthemost
splemlnlufgtftstoday.
1 will
give
youinreturnIVIOH’xilwrandgoldthan
youcanmum,
that
youmay342 LAW 40
themostillustrious
patronoftheartsthathistory
haseverknown.Notonly
didhespendlavishly
onpaintings,
hecreatedItaly’s
finest
apprenticeschoolsfor
youngartists.Itwasinoneoftheseschoolsthatthe
youngMichelangelo
firstcaught
theattentionof
Lorenzo,
whoinvitedtheartisttocomeandliveinhishouse.HedidthesamewithLeonardodaVinci.Onceunderhiswing,Michelangelo
andLeonardorequited
hisgenerosityby
be»
comingloyalartistsinhisstable.WheneverLorenzofanedan
enemy,hewouldwieldthe
weaponofpatronage.When
Pisa,
Florence’straditional
enemy,threatenedtorebelagainst
itin
1472,
Lorenzoplacated
itspeople
bypouringmoney
intoitsuniversity,whichhadoncebeenitspride
and
joybuthadlongago
lostitsluster.ThePisanshadnodefenseagainst
thisinsidious
maneuver,
whichsi-multaneously
fed
theirloveofcultureandbluntedtheirdesireforbattle.InterpretationLorenzoundoubtedly
lovedthe
arts,
buthis
patronageofartistshada
prac-ticalfunctionas
well,
ofwhichhewaskeenly
aware.InFlorenceatthetime,banking
wasperhaps
theleastadmired
wayofmakingmoney,
andwascertainly
notarespected
sourceof
power.Theartswereattheotherpole,
thepole
of
qua.si—religioustranscendence.Byspending
onthe
arts,Lorenzodilutedpeople’sopinions
oftheugly
sourceofhis
wealth,
disguis-inghimselfinnobility.
Thereisnobetteruseofstrategicgenerosity
thanthatofdistracting
attentionfromanunsavoryreality
and
wrappingoneselfinthemantleofartorreligion.
ObservanceIVLouisXIVhadaneagleeye
forthestrategic
powerof
money.Whenhecametothe
throne,thepowerfulnobility
hadrecentlyproven
a
thumpinthemonarchy’s
side,andseethedwith
rebelliousness.Soheimpoverished
these
aristocratsbymaking
themspend
enormoussumson
maintainingtheir
positioninthecourt.
Makingthemdependent
onroyallargesse
fortheir
livelihood,hehadtheminhisclaws.NextLouisbrought
thenoblestotheirkneeswithstrategicgenerosity.
Itwouldworklikethis:
Vtlheneverhenoticed
a
stubborncourtierwhosein-fluenceheneededtogain,
orwhosetroublemaking
heneededto
squelch,hewouldusehisvastwealthtosoftenthesoil.Firsthewould
ignorehisvic-tim,making
themananxious.Thenthemanwouldsuddenly
findthathissonhadbeen
givenawell»paidpost,
or
that
fundshadbeen
spentliberallyinhishome
region,orthathehadbeen
givena
paintinghehadlong
cov-eted.PresentswouldflowfromLouis’shands.Finally,
weeksormonthslater,
Louiswouldaskforthefavorhehadneededallalong.
Amanwhohadoncevowedtodoanything
to
stoptheking
wouldfindhehadlostthedesiretofight.
Astraightforward
bribewouldhavemadehim
rebellious;thiswasfarmore
insidious.Facing
hardenedearth
in
whichnothing
couldtake
root,Louis
loosenedthesoilbeforeheplanted
hisseeds.InterpretationLouisunderstoodthatthereisa.deep-rooted
emotionalelementinouratti-tudeto
money,anelement
goingbacktochildhood.
Whenwearechil-