beenclearedofthedead
weight
ofthe
past.Only
afterthefather
figure
has
been
properly
done
away
withwill
you
havethe
necessaryspace
to
create
andestablishaneworder.Thereareseveral
strategiesyou
can
adopt
toac-
complish
this—-——varia!ions
on
theexecutionofthe
king
that
disguise
thevio~
lenceofthe
impulse
bychanneling
itin
sociallyacceptable
forms.
Perhaps
the
simplestway
to
escape
theshadowofthe
past
is
simply
to
belittle
it,
playing
onthetimeless
antagonism
betweenthe
generations,
stir—
ringup
the
youngagainst
theold.Forthis
you
need
a
convenientolder
fig-
ute
to
pillory.
Mao
Tse—tung,confronting
aculturethat
fiercely
resisted
change,
played
onthe
suppressed
resentment
against
the
overbearingpres-
enceofthevenerableConfuciusinChineseculture.
john
F.
Kennedy
knewthe
dangers
of
getting
lostinthe
past;
he
radicallydistinguished
his
presidency
from
that
ofhis
predecessor,Dwight
D.
Eisenhower,
andalso
fromthe
preceding
decade,
the
19505,
whichEisenhower
personified.
Kennedy,
for
instance,
wouldnot
play
thedulland
fatherly
game
of
golf——
a
symbol
ofretirementand
privilege,
andEisenhowefs
passion.
Insteadhe
played
footballontheWhiteHouselawn.In
everyaspect
hisadministra-
tion
representedvigor
and
youth,
as
opposed
tothe
stodgy
Eisenhower.
Kennedy
haddiscoveredan
oldtruth:
The
young
are
easily
set
against
the
old,
since
they
yearn
tomaketheirown
place
intheworldandresentthe
shadowoftheirfathers.
The
distance
you
establish
from
yourpredecessor
oftendemands
some
symbolism,
a
way
of
advertising
itself
publicly.
Louis
XIV,
forexam-
ple,
createdsuch
symbolism
whenhe
rejected
thetraditional
palace
ofthe
French
kings
andbuilthisown
palace
ofVersailles.
KingPhilip
IIof
Spain
didthesamewhenhecreatedhiscenterof
power,
the
palace
of
ElEsco-
rial,
inwhatwas
thenthe
middleofnowhere.ButLouis
carriedthe
game
further:Hewouldnotbea
king
likehisfatherorearlier
ancestors,
he
wouldnotwearacrown or
carry
a
scepter
orsitona
throne,
hewouldes-
tablishanewkindof
imposingauthority
with
symbols
andrituals
of
its
own.Louismadehisancestors’ritualsinto
laughable
relicsofthe
past.
Fol-
low
his
example:
Neverlet
yourself
beseenas
followingyourpredeces-
sor’s
path.
If
you
do
you
will
never
surpass
him. Youmust
physically
demonstrate
your
difference,
by
establishing
a
style
and
symbolism
that
sets
youapart.
The
Roman
emperorAugustus,
successorto
Julius
Caesar,
understood
this
thoroughly.
Caesar
had
been
a
greatgeneral,
a
theatrical
figure
whose
spectacles
kept
theRomans
entertained,
aninternational
emissary
seduced
by
thecharmsof
Cleopat:ra~a
largerlhanalifefigure.
So
Augustus,
despite
hisowntheatrical
tendencies,
competed
with
Caesarnot
bytrying
tooutdo
himbut
bydifferentiating
himselffromhim:He
based
his
power
ona
re-
turntoRoman
simplicity,
an
austerity
ofboth
style
andsubstance.
Against
the
memory
ofCaesars
sweepingpresence
Augustusposed
a
quiet
and
manlydignity.
The
problem
withthe
overbearingpredecessor
isthathe
fills
thevistas
before
you
with
symbols
of
the
past.
Youhavenoroomtocreate
your
own
name.Todealwiththissituation
you
needtohuntoutthevacuums»-wthose
cant351:2!
{nineteenth-
cerimry
dressrlzarru
pronPaul]
i’l'Iurphy’r
soaring
odyssey
into
the
higher
realms
of
chess
begunjust(1)7807
after
the
unexpectedly
suddendearh 0
f
his
falhcr,
whirl:hadbeen
a
great
rlzockIo
him,
andwe
may
.sumu's'e
thathisbrilliant
effort
nfsublimation
wa
r.
like
Shakespeare
it
Hamlet
andFreudfrTheInter-
pretation
ofDreams.a
rmrgliontothiscritical
event...
Something
shouldnow
besaidaboutthe
recep-
zmn
Mnrphylr
szrccesmrmetwith,
for
they
were
ofsucl:
I:
kind
as
toriziselire
qniesliorr
whetherhis
subsequent
collapse
may
no!ltrrvelzemz
influencedthrough
his
perhapsbeionging
to
the
type
thatFreudhas
describedunderthe
IUIIHI?
of
Dieam
Erfolgc
schoiiem
(
“
Thosewrecked
by
.ruczte.rs").
.. .Coached
inmore
psychological
language.
was
Morphy
affrighted
athisown
prcsmnpruousnms
whenthe
lightof
publicity
wasthrown
on
[l!l.S'
greatrurce.rs?/
Freudhas
pointed
out
(ha!
thepeople
who
breakunderthestrain
of
too
great
.mcre.vsdo
sobecause
they
can
endureit
only
in
imagi-
mzzion.no!in
reality.
To
castratethe
father
in:2
dreamis:1
verydiffer»
em‘
mrrtierfrorndoing
itin
reality.
Thereal
situation
provokes:
the
(AnC0n.'~‘lTi0!LS
guilt
inits
fullforce.
andthe
/zemzlzymay
bnmenial
collapse.
Tllf,
PRURl_F'VlOFPAH!
MURPHY,
ER.NES'l‘Jorcrs.
I951
LAW 41 35.?