18 LAW 3
tendedoften.Shewouldbeunableto
predict
hismoves.Allofthiswould
push
herintothestateofemotionalconfusionthatisa
prerequisite
forsum
cessfulseduction.
Thesemoveswere
executed,
andtookseveralweeks.Ninon
moni-
toredthe
marquis’sprogress:Through
hernetworkof
spies,
sheheardhow
thecountess would
laugh
alittleharderat his
witticisms,
listenmore
closely
tohisstories.Sheheardthatthecountesswas
suddenlyaskingques-
tionsabouthim. Herfriendstoldherthatatsocialaffairsthe
countess
wouldoftenlook
up
atthe
marquis,following
his
steps.
Ninon
felt
certain
thatthe
young
womanwas
falling
underhis
spell.
It
wasamatterofweeks
now,
maybe
amonthor
two,
butifallwent
smoothly,
thecitadelwould
fall.
Afew
days
laterthe
marquis
wasatthecountess’s
home.
They
were
alone.
Suddenly
hewasadifferentman:This
time
acting
onhisownim—
pulse,
ratherthan
following
Ninon’s
instructions,
hetookthecountess’s
handsandtoldherhewasin
lovewithher.The
young
womanseemed
confused,
3
reactionhedidnot
expect.
Shebecame
polite,
thenexcused
herself.Fortherestofthe
evening
sheavoidedhis
eyes,
wasnot
there
to
saygoodnight
tohim.Thenextfewtimeshevisitedhewastoldshewas
notathome.Whenshe
finally
admittedhim
again,
thetwofeltawkward
anduncomfortablewith
eachother.The
spell
wasbroken.
Interpretation
NinondeLenclosknew
everything
abouttheartoflove.The
greatest
writ-
ers,thinkers,
and
politicians
of
thetimehadbeenherlovers——menlikeLa
Rochefoucauld,Moliére,
and
Richelieu.Seductionwas
a
game
to
her,
tobe
practiced
withskill.
Asshe
got
older,
andher
reputationgrew,
themostim~
portant
familiesinFrancewouldsendtheirsonstohertobeinstructedin
mattersoflove.
Ninonknewthatmenandwomenare
very
different,
butwhenit
comestoseduction
they
feelthesame:
Deep
down
inside,
they
oftensense
when
they
are
being
seduced,
but
theygive
in
because
theyenjoy
thefeel-
ing
of
being
led
along.
Itisa
pleasure
tolet
go,
andtoallowtheother
per-
son to detour
you
into a
strange country. Everything
in
seduction,
however,
depends
on
suggestion.
Youcannot
announce
your
intentionsor
revealthem
directly
in
words.Instead
you
mustthrow
yourtargets
offthe
scent.Tosurrenderto
yourguidance
they
mustbe
appropriately
confused.
Youhave
toscramble
yoursignals——~appea.r
interestedinanothermanor
woman
(the
decoy),
thenhintat
being
interestedinthe
target,
then
feign
indifference,
onandon.Such
patterns
not
only
confuse,
they
excite.
Imagine
this
story
from
thecountess’s
perspective:
After
a
fewofthe
marquis’s
moves,
shesensedthe
marquis
was
playing
somesortof
game,
butthe
gamedelighted
her.Shedidnotknowwherehewas
leading
her,
butsomuchthebetter.Hismoves
intrigued
her,
eachofthem
keeping
her
waiting
forthenextone———sheeven
enjoyed
her
jealousy
and
confusion,
for
sometimes
any
emotionisbe-tierthantheboredom
of
security.Perhaps
the
marquis
hadulterior
motives;
mostmendo.Butshewas
willing
towaitand