demonstration
vegetation ‘frames’thewaterelementandtheweight
of this dark areaholdsthepaintinginbetterbalance.
STEPNINE
I place some detailandhighlightsintheforegroundgrasses.
Now is the idealtimetoputtheworkasidefora fewdays.
fINALSTEP
I decide to placesomecloudtotheleftofthesun
glow, to balancewiththeheavyvegationontheright,
as there is toomuchfussinessinthesky.I remove
the dark greycloudlowonthehorizontotheright
of the sun. I playdownsomeofthedistractingdetail
in the cloud abovethesun.I lightlyapplysome
rich soft orangestothewatersurfaceandsky– to
create warmthandsoftenthesun’sedgestogivea
hazy glow. Generally,I workupa fewhighlights
and details ...tryingnottofiddletoomuch!n
MASTER HINTS
AND TIPS
- When a pastel painting is complete, use glasseine
paper and – with a credit card – swipe the whole
surface, pressing firmly. This helps to hold the pastel
and prevent any fallout of odd specks of colour. - Be passionate about what you are painting. Paint
what sparks your senses and fires you up ... the
sooner the better, while the fire’s still hot! The
energy and feeling you have for that particular
place, view or scene will show through. - The scenes I paint are of places where I spend a lot
of time; and places I feel emotionally connected
to. Sometimes it can take a couple of years
of visiting somewhere before I have absorbed
enough to feel ready to paint what I see and feel.
Looking and absorbing is a continuous process.
STEP SIX
STEP EIGHT
STEP SEVEN
STEP NINE