would be unashamed if suddenly dropped naked into a public place—
excepting the odd exhibitionist—are those younger than three years of age. In
fact, a common nightmare involves the sudden appearance of the dreamer,
naked, on a stage in front of a packed house.
In the third verse of Genesis, a serpent appears—first, apparently, in
legged form. God only knows why He allowed—or placed—such a creature
in the garden. I have long puzzled over the meaning of this. It seems to be a
reflection, in part, of the order/chaos dichotomy characterizing all of
experience, with Paradise serving as habitable order and the serpent playing
the role of chaos. The serpent in Eden therefore means the same thing as the
black dot in the yin side of the Taoist yin/yang symbol of totality—that is, the
possibility of the unknown and revolutionary suddenly manifesting itself
where everything appears calm.
It just does not appear possible, even for God himself, to make a bounded
space completely protected from the outside—not in the real world, with its
necessary limitations, surrounded by the transcendent. The outside, chaos,
always sneaks into the inside, because nothing can be completely walled off
from the rest of reality. So even the ultimate in safe spaces inevitably
harbours a snake. There were—forever—genuine, quotidian, reptilian snakes
in the grass and in the trees of our original African paradise.^46 Even had all of
those been banished, however (in some inconceivable manner, by some
primordial St. George) snakes would have still remained in the form of our
primordial human rivals (at least when they were acting like enemies, from
our limited, in-group, kin-bonded perspectives). There was, after all, no
shortage of conflict and warfare among our ancestors, tribal and otherwise.^47
And even if we had defeated all the snakes that beset us from without,
reptilian and human alike, we would still not have been safe. Nor are we now.
We have seen the enemy, after all, and he is us. The snake inhabits each of
our souls. This is the reason, as far as I can tell, for the strange Christian
insistence, made most explicit by John Milton, that the snake in the Garden of
Eden was also Satan, the Spirit of Evil itself. The importance of this symbolic
identification—its staggering brilliance—can hardly be overstated. It is
through such millennia-long exercise of the imagination that the idea of
abstracted moral concepts themselves, with all they entail, developed. Work
beyond comprehension was invested into the idea of Good and Evil, and its