the spectator | 29 february 2020 | http://www.spectator.co.uk 53
What is the dental etiquette
regarding the ownership of
gold fillings?
— Dear Mary, p61
High life
Taki
Gstaad
It feels like a sepia-tinged melodrama, one
directed by the great schlock master Sam
Wood. Driving along the winding valleys
through 17th-century villages, Gruyères
Castle on one’s right, the heartbeat would
quicken as Gstaad beckoned in the dis-
tance. Gstaad in those days meant beautiful
women, parties galore, challenging, snow-
covered slopes to swish down, and a friendly
atmosphere. Only the lucky few knew about
the place.
All that has gone down the drain, except
for the prices, which have gone through the
roof. It’s called progress. I used to be able to
identify the mood of a time, especially here
in Gstaad, but no longer. For starters, there
is no more snow from upstairs, only the man-
made white stuff. The last February with no
snow whatsoever was back in 1964, and I
spent it hitting tennis balls with Irwin Shaw
on the Palace hotel outdoor courts.
Nobody talked about climate change
in those days, and those who did were as
wrong as the modern maniacs trying to
shove it down our throats. One such Extinc-
tion Rebellion asshole who drives a Porsche
tried to collar me the other day, and he got
a somewhat rude response. ‘Talk to the Chi-
nese, tell the African Bushmen to stop burn-
ing wood, and the Markles to offset their
carbon footprint by staying put in Holly-
wood,’ I said. ‘I use a sailboat, a mini, and
walk everywhere, so shut up.’
From my chalet high above on the Wisp-
ile, I can see green all around me. The white
stuff is far away, up on the glaciers in the
distance. Man-made paths of snow have
the suckers going up and down the ski lifts
like robots, après-skiing being the operative
word. Still, there are those, like my own son,
who insist that there is snow and good ski-
ing, but the venue changes a lot — daily, in
fact. The only good news in all this is that I
will have to give up skiing in the near-future
and the lack of the white stuff makes it eas-
ier to do so.
Low life
Jeremy Clarke
Joyce Marriott of Pyrton, Oxford, has writ-
ten a letter to the Times on the subject of
how a person’s imagination can be undu-
ly influenced by one particular film. The
film Old Yeller, she says, had such a pow-
erful effect that for the past 30 years she
has devoted her life to animal welfare, dogs
particularly. ‘Such is the power of movies,’
she concludes.
Although I haven’t seen Old Yeller,
I agree that a film can sow seeds in the
imagination which prosper and flourish
and eventually overrun it. My own imagi-
native Japanese knotweed was sown by the
first film I ever saw, aged seven, on the big
screen at the Ritz cinema in Southend-on-
sea in 1964: Zulu, starring Stanley Baker,
written by John Prebble and Cy Endfield,
directed by Cy Endfield and produced by
Stanley Baker and Cy Endfield.
Zulu is basically one long battle scene, a
dramatic retelling of the defence of Rorke’s
Drift by a company of South Wales Border-
ers against 4,000 Zulus, the untested section
of the massive Zulu impi which earlier in
The lack of snow was offset by karate
camp, with the arrival of my karate sen-
sei Richard Amos and Ben, a tough mem-
ber of the Swiss team. Implicit in karate is
a sense of personal dignity, once a character-
istic of the samurai, although even that has
now given way to American-style commer-
cialism. But the way of Bushido, at least to
some of us, remains a code of moral prin-
ciple. Richard Sensei, Ben and I went at it
hard, but then I noticed they were cheating,
taking it easy on the old boy. I truly felt like
quitting. But it is the way of Bushido: one
does not attack old men. Still, a few bruis-
es make it easy to fool oneself and I cele-
brated the finish of the three-day camp with
a bottle of vodka all to myself.
Throughout these 55 years of karate,
especially before sessions that require hand-
to-hand fighting, I have inspired myself by
reading about real combat, as in James Hol-
land’s brilliant Normandy ’44. I read about
my wife’s uncle, a battalion commander
in the Panzer-Lehr-Division, ‘the urbane
and aristocratic Major Prince Wilhelm von
Schönburg-Waldenburg’. Eight Princes
Schönburg were killed in action in the sec-
ond world war. Seven died on the Russian
front, Wilhelm on the counterattack in Nor-
mandy, taking a direct hit in the turret of
his Panzer and dying instantly. The Nazis
made sure that nobles were in the thick of
the fighting, and the extremely good-looking
Wilhelm was all of 25 when he died.
And now for the good news: the
group of Spectator readers who came up
to Gstaad for lunch and a short speech
by yours truly turned out to be the nic-
est bunch of men and women I’ve met in
a hell of a long while. Even the Anglophobe
Alexandra, my wife, has become an instant
Anglophile on their account. There were
about 40 of them, and what struck me was
that they were not a silly, jolly bunch, but
serious men and women who had obvious-
ly reached the top of their professions such
as the law, academia and business. Yet they
were a happy group who knew more about
The Spectator than the little Greek boy and
had very interesting things to say. There was
not a single bore among them, most likely a
first ever here in Gstaad.
My plan was to talk about my 62 years
in Gstaad as compared with my 43 years
as a Spectator columnist, and how Gstaad
has gone to the dogs, whereas the Speccie
has gone from strength to strength. It was
a good idea but I wasn’t able to do it jus-
tice because I couldn’t go full out. Anyway,
my visitors were happy to be in the sun and
they even thought to bring me a bottle of
the great Lagavulin scotch whisky: ‘Your
sainted editor’s favourite,’ as my friend
Michael put it.
‘He used to be just a manspreader.’
Life_29 Feb 2020_The Spectator 53 26/02/2020 10:53