Across Forest, Steppe, and Mountain_ Environment, Identity, and Empire in Qing China\'s Borderlands

(Ann) #1
applicability and narrower focus, this discourse is not entirely synonymous

with Hanspace. The accommodation of accommodationist views was made

possible by literally wider perspectives arising from Inner Asian conquest.

Hanspace could then rearticulate the Han-barbarian discourse, and its

historical variants such as anti-Manchuism, beyond a self-other dichotomy

of mere race or ethnicity.

accommodationist hanspace


Hanspace has been visible in Chinese elite cartographic texts since the

emergence of antiquity’s classical canon, containing the only accounts of

thefirst three dynasties, the Shang, Xia, and Zhou, known in imperial

times. One of the most significant portions of these texts, the“Tribute of

Yu”(Yugong), is generally held to be the earliest classical expression of

Chinese geography. In it, Yu, the founder of the Xia dynasty, established

the formal boundaries of China proper, known as the Nine Provinces

(Jiuzhou), after controlling thefloodwaters that had inundated the whole

region. The “Tribute” account of his postdiluvian renovation of the

physical, political, and cultural core of the Han people became a primary

Hanspace text.

In later ages, Confucian scholars sought to determine the Nine Prov-

inces’precise location in works sufficiently voluminous to culminate in

Hu Wei’s self-deprecatingly titledYugong chuizhi(A Peep-hole View of

the“Tribute of Yu”). Contemporaries considered this work, complied

between 1694 and 1697 with maps added in 1705 , as the definitive

commentary on its subject, mainly the clarification of toponyms. Hu’s

work has been read as a demonstration of empirical and demystifying

“practical learning”largely devoted to evaluating and clarifying the text

and its numerous historical glosses.^12 A major rationale for this approach,

however, is to affirm empirically and rationalistically a (meta)physical

concept of Han imperial space, primarily by linking the Nine Provinces to

their contemporary Qing counterparts.^13

To this end, Hu augmented his extended gloss on each line of the text

with forty-seven maps, including a“Map of the Five Domains”(Wufu

tu), an ethnic schematic of the Nine Provinces, conventionally represented

asfive concentric squares. Each square comprised an area offive hundred

lito form the central Domain of the Sovereign (Dian fu), then that of the

Nobles (Hou fu), then the Domain of Pacification (Sui fu), then the

Domain of Restraint (Yao fu), and,finally, the outermost Wild Domain

(Huang fu).^14 Hu’s assemblage is part of a cartographic tradition

26 Across Forest, Steppe, and Mountain
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