British Vogue - 04.2020

(Tina Sui) #1
The daughter of two professors, Grant
was born in Ohio and as a child shuttled
around: Mexico City, Paris, Washington.
At 11, she told her parents that she
wanted to go to boarding school in St
Louis. “I was very fearless – I was a child
who knew her mind.” Becoming an
artist seemed inevitable, although
she has never been interested in staying
in just one lane. “I think ‘artist’ best
describes what I do, but really it’s a
name for a kind of curiosity.”
At Marfa, Grant will show three large
works – a mix of flamboyant, colourful
gestures with well-chosen words –
inspired by the myth of Antigone.
She’s particularly drawn to the Greek
heroine’s famous sentiment: “I was born

to love, not hate.” Grant first conceived
the pictures in 2014, but admits they’ve
gained extra weight as the world has
got weirder. Greta Thunberg could be
a modern-day Antigone, she suggests.
“It’s been an absolute trip for me, seeing
the paintings take on a new life as the
political climate changes.”
The attention since November has
been a different kind of trip. In 2011,
she and Reeves published their first
book, Ode to Happiness, a playful guide
to climbing out of depression that
juxtaposes his poetic text with her
drawings. It was an indication that, even
then, the two shared a bond. “The book
was made as a surprise, by me, for Keanu,
as a private gift,” confirms Grant. “All

our friends sitting in the room got the
giggles when I gave it to him – they
said, ‘Please publish it!’ So that’s how
we got into publishing.”
Grant has a tight social circle in LA


  • she’s been a bridesmaid seven times
    and even officiated at one friend’s
    wedding. Does marriage interest her?
    “Over a glass of wine... I would love
    to tell you,” she laughs. “Love at every
    level is deeply important to my identity.
    How’s that for dodging the question?
    I do not believe that isolation is the
    way. There is a period of isolation that
    I do as a painter, but I deeply value the
    experience of being in relationships.”
    There is something thoroughly
    winning about Grant. She started going
    grey in her mid-twenties and was
    completely so by her mid-thirties.
    Keeping it grey is somewhat political,
    but not stridently so, she says. “I am a
    huge believer in choice – whatever
    anyone wants to do to feel confident.
    We should all have more options as to
    what beauty is. There are billions of us.”
    Grant considers herself an LA native
    now, and is happily signed up to the
    local traditions: she meditates every day
    and thoroughly recommends it, albeit
    with a knowing laugh. She’s also taught
    at a succession of eminent Californian
    colleges. The main thing she seeks to
    do, she says, is to instil confidence in her
    students. “If there’s one thing I would
    hope, for anybody who comes into
    contact with me, it’s that I have agency,”
    she explains. “I can only say: ‘I’ve given
    myself permission – have you thought
    about giving yourself permission?’” n


“There is
a period of
isolation
that I do as
a painter,
but I deeply
value the
experience
of being in
relationships”

Left: silk blouse, £1,222, ChloŽ.
Jewellery, Alexandra’s own. Below:
last year’s “I Was Born to Love (1)”
was inspired by Greek mythology

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