The Philosophy Book

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LANGUAGE


IS A SKIN


ROLAND BARTHES (1915–1980)


IN CONTEXT


BRANCH
Philosophy of language

APPROACH
Semiotics

BEFORE
380 BCE Plato’s Symposium
is the first sustained
philosophical discussion
of love in the West.

4th century CE St Augustine
of Hippo writes extensively on
the nature of love.

1916 Ferdinand de Saussure’s
Course in General Linguistics
establishes modern semiotics
and the study of language as
a series of signs.

1966 French psychoanalyst
Jacques Lacan looks at
the relationship between
Alcibiades, Socrates, and
Agathon in his Écrits.

AFTER
1990s Julia Kristeva explores
the relationship between love,
semiotics, and psychoanalysis.

are no characters, and there
is nothing in the way of a plot.
There are only the reflections
of a lover in what Barthes calls
“extreme solitude.”
At the very beginning of the
book, Barthes makes clear that a
plot is not possible, because the
solitary thoughts of a lover come in
outbursts that are often contradictory
and lack any clear order. As a lover,
Barthes suggests, I might even find
myself plotting against myself. The
lover is somebody who might be

The lover’s language
“trembles with desire.”

All philosophy about love
is addressed toward a
particular object of desire.

When I write or speak
about love, my language
“rubs against” the secret
object of my desire.

Language affects the other
like skin-on-skin contact.

Language
is a skin.

T


he strangest, but most
popular, book written by
philosopher and literary
critic Roland Barthes is A Lover’s
Discourse. As the French title,
Fragments d’un discours amoureux,
suggests, this is a book told in
fragments and snapshots, somewhat
like the essay One-Way Street by
the German philosopher Walter
Benjamin. A Lover’s Discourse is
not so much a book of philosophy
as it is a love story; but it is a love
story without any real story. There
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