The Classical Music Book

(Tuis.) #1

216


MUSIC IS A


LANGUAGE OF


THE INTANGIBLE


WOODLAND SKETCHES ( 1896 ),
EDWARD MACDOWELL

T


he first music published
in North America were
tunes in the Bay Psalm
Book, a compilation selected
from European psalters by the
17th-century emigrants who settled
in the Massachusetts Bay Colony.
By the late 18th century, however,
American-born composers such as
William Billings and Daniel Read,
who formed part of the First New
England School, began to publish
music that marked a distinct
departure from European models.
These composers, who were
usually self-taught, were writing
new types of sacred music, such
as the “fuguing tune,” in which a

choral melody is sung in unison
and then in counterpoint but with
scant regard for traditional Western
standards of harmony.

America’s first
The Bohemian-born Anthony
Heinrich, who lived in the United
States from 1810, is generally
considered the first “professional”
American composer. Inspired by
different parts of the United States,
he developed a more dissonant
harmonic language than had been
heard elsewhere and was the first
American to write for a symphony
orchestra. More famous, however,
was the virtuoso pianist, Louis
Moreau Gottschalk, who studied
in Paris and was feted by Chopin
and Liszt. Returning to America in
1853, he toured widely, performing
his own works that would often
reference the indigenous music
and instruments of the New World.
As American tastes evolved, a
new group of composers emerged—
now known as the Second New
England School. The strongest
influence for these composers was
the German Romantic tradition,
and a number of them studied in
Europe. The best remembered of
this group is Edward MacDowell.

IN CONTEXT


FOCUS
American nationalism

BEFORE
1640 The Bay Psalm Book is
published in Massachusetts.

1834 Anthony Heinrich
composes The Treaty of
William Penn with the Indians,
a concerto grosso.

1848 Stephen Foster publishes
the song “Oh! Susanna,” which
becomes an instant hit.

1863 Louis Moreau Gottschalk
publishes Battle Cry of
Freedom, based on an
American Civil War song.

AFTER
1897 John Philip Sousa’s
march The Stars and Stripes
Forever premieres.

A house of dreams untold,
it looks out over the
whispering treetops, and
faces the setting sun.
Edward MacDowell

US_216-217_Edward_MacDowell.indd 216 26/03/18 1:01 PM

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