2020-02-10 The New Yorker

(Sean Pound) #1

CONTRIBUTORS


Paige Williams (“A Deadly Mistake,”
p. 28) is a staff writer and the Laventhol/
Newsday visiting associate professor at
Columbia’s Journalism School.

Adam Entous (“Last Man Standing,”
p. 40) became a staff writer in 2018.
Previously, he was a member of a team
at the Washington Post that won the
Pulitzer Prize for national reporting.

John Cassidy (“Steady State,” p. 24) has
been a staff writer since 1995 and writes
a column for newyorker.com. He is the
author of “How Markets Fail: The
Logic of Economic Calamities.”

Malika Favre (Cover) is an illustrator
who lives in London and Barcelona.
This is her tenth cover for The New
Yorker.

Wyn Cooper (Poem, p. 58) has pub-
lished five books of poetry, including,
most recently, “Mars Poetica.”

Sarah Larson (The Talk of the Town,
p. 17) is a staff writer. Her column, Pod-
cast Dept., appears on newyorker.com.

Evan Osnos (“Last Man Standing,”
p. 40) writes about politics and foreign
affairs for the magazine. His book on
China, “Age of Ambition,” won the 2014
National Book Award for nonfiction.

Alexandra Schwartz (“Look Again,”
p. 18) joined The New Yorker in 2013
and has been a staff writer since 2016.

Anthony Veasna So (Fiction, p. 54) is
an M.F.A. candidate at Syracuse Uni-
versity. He is at work on a novel and a
collection of stories.

Annelyse Gelman (Poem, p. 33) is the
author of the poetry collection “Every-
one I Love Is a Stranger to Someone.”
Her collaborative EP, “About Repulsion,”
was released in 2019.

Hilton Als (On Stage, p. 63) won the
2017 Pulitzer Prize for criticism. He
is an associate professor of writing at
Columbia University.

Dana Goodyear (The Talk of the Town,
p. 14) is a staff writer who is based in
California.

ANNALS OFINQUIRY


Exactly how safe is football? Ingfei
Chen reports on the challenges of
assessing the game’s risks.

PHOTO BOOTH


Coralie Kraft on Henk Wildschut’s
photographs of the plants that make
refugee camps feel more like home.

LEFT: JEREMY LEUNG; RIGHT: PHOTOGRAPH BY HENK WILDSCHUT


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