Western Civilization

(Sean Pound) #1

The European State in the Renaissance


Q FOCUSQUESTION: Why do historians sometimes
refer to the monarchies of the late fifteenth century
as “new monarchies” or “Renaissance states”?

In the first half of the fifteenth century, European
states continued the disintegrative patterns of the pre-
vious century. In the second half of the century, how-
ever, recovery set in, and attempts were made to
reestablish the centralized power of monarchical gov-
ernments. To characterize the results, some historians
have used the label “Renaissance states”; others have
spoken of the “new monarchies,” especially those of
France, England, and Spain at the end of the fifteenth

century (see Map 12.2). Although monarchs in western
Europe succeeded to varying degrees at extending their
political authority, rulers in central and eastern Europe
were often weak and unable to impose their will.

The Renaissance State in Western Europe


Although the Hundred Years’ War (1337–1453; see
Chapter 11) had made it difficult for French kings to
assert their authority, the war had also developed a
strong degree of French national feeling toward a com-
mon enemy that the kings could use to reestablish mo-
narchical power. The process of developing a French
territorial state was greatly advanced by King Louis XI
(1461–1483), known as the Spider because of his devi-
ous ways. Louis strengthened the use of thetaille(TY),
an annual direct tax, usually on land or property, that
was imposed by royal authority; this tax gave him a
regular and reliable source of income. Louis repressed
the French nobility and brought the provinces of
Anjou, Maine, Bar, and Provence under royal control.

ENGLAND The Hundred Years’ War had also strongly
affected the other protagonist in that conflict. The cost
of the war in its final years and the losses in manpower
strained the English economy. Moreover, even greater
domestic turmoil came to England when a period of
civil wars broke out in the 1450s that pitted the ducal
house of Lancaster against the ducal house of York.
(The wars are popularly known as the “Wars of the
Roses” because Shakespeare a hundred years later cre-
ated the fiction that a white rose symbolized the York-
ists and a red rose, the Lancasters.) Many aristocratic
families of England were drawn into the conflict.
Finally, in 1485, Henry Tudor, duke of Richmond,
defeated the last Yorkist king, Richard III (1483–1485),
at Bosworth Field and established the new Tudor
dynasty.
As the first Tudor king, Henry VII (1485–1509)
worked to reduce internal dissension and establish a
strong monarchical government. The new king was par-
ticularly successful in obtaining sufficient income from
the traditional financial resources of the English mon-
arch, such as the crown lands, judicial fees and fines,
and customs duties. By using diplomacy to avoid wars,
which are always expensive, the king avoided having to
call Parliament on any regular basis to grant him funds.
By not overburdening the landed gentry and middle
class with taxes, Henry won their favor, and they pro-
vided much support for his monarchy. Henry’s policies

Van Eyck,Giovanni Arnolfini and His Bride.Northern
painters took great care in depicting each object and became
masters at rendering details. This emphasis on a realistic
portrayal is clearly evident in this oil painting, supposedly a
portrait of Giovanni Arnolfini, an Italian merchant who had
settled in Bruges, and his wife, Giovanna Cenami.

ªNational Gallery, London//Art Resource, NY

292 Chapter 12 Recovery and Rebirth: The Age of the Renaissance

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