170
SO THEY TOOK THE
BLOSSOMS AND
PRODUCED FROM
THEM A MAIDEN
BLODEUWEDD
I
n ancient Welsh mythology,
Blodeuwedd—meaning “flower-
faced”—was the wife of the
great hero Llew Llaw Gyffes. She
was not a real woman, but was
instead made from the flowers of
broom, meadowsweet, and oak by
the magicians Math and Gwydion.
Blodeuwedd was a key figure in
the “Math fab Mathonwy,” a book
full of magic and invention, which
was the last of the mythical The
Four Branches of the Mabinogi.
Llew Llaw Gyffes could only
marry with the help of magic or
divine intervention, due to a
tynged, or curse, applied to him
by his own mother, Arianrhod. She
was embittered at the loss of her
virginity—of which the presence
of her son was a constant reminder.
Arianrhod was also angered by a
series of tricks and humiliations
she was subjected to by Math and
his nephew Gwydion. As a result,
she placed three curses upon Llew,
the last of which stated that he
would never have a wife from any
race on the earth.
However, the cunning Math
and Gwydion eventually managed
to break this last curse by magic:
they created Blodeuwedd and
betrothed her to Llew Llaw Gyffes.
The couple were married and given
a palace to live in together.
Love at first sight
One day, while her husband was
away on business, a man pursuing
a stag arrived at Blodeuwedd’s
home. He was Gronw Pebyr, Lord of
Penllynn. Being of a charming and
hospitable disposition, Blodeuwedd
welcomed the visitor. However, as
soon as they looked into each
other’s eyes, the pair fell in love.
After this, the couple commenced
an affair and, determined to be
together, they began to plot the
IN BRIEF
THEME
Mythical woman
SOURCE
Math fab Mathonwy (“Math,
son of Mathonwy”), The Four
Branches of the Mabinogi,
12th-century Welsh folktales.
SETTING
Gwynedd, northwest Wales,
c. 10 60 –120 0 ce.
KEY FIGURES
Blodeuwedd A woman
made of flowers; wife of
Llew Llaw Gyffes.
Llew Llaw Gyffes Son of
Gwydion; Blodeuwedd’s nearly
immortal husband.
Math A magician; son of
Mathonwy, Lord of Gwynedd.
Gwydion Nephew of Math;
also a magician.
Gronw Pebyr Lord of
Penllynn; lover of Blodeuwedd.
The tree was a gift
from a merciful god,
its roots lapping up the
blood to hold the spirits
for blessed release into
another, brighter age.
Math fab Mathonwy
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171
Blodeuwedd met Gronw Pebyr as
he hunted a stag near her home. They
are depicted here by British artist
Ernest Wallcousins for Charles Squire’s
1920 book, Celtic Myth & Legend.
See also: The founding of Athens 58–59 ■ Arachne and the spider 115 ■ The voyage of Bran 165 ■ Cúchulainn 166–67
NORTHERN EUROPE
death of Llew Llaw Gyffes. There
was one major obstacle for the
lovers: Llew’s immortality.
Blodeuwedd’s betrayal
There seemed to be no way in
which Blodeuwedd’s husband could
be killed. He had previously told her
that he could not be killed during
the day or night, not indoors nor
outdoors, neither riding nor
walking, not clothed and not naked,
nor by any lawfully made weapon.
However, Blodeuwedd soon tricked
Llew into giving away the secret,
and he revealed to her that he could
be killed at dusk, wrapped only in a
net, with one foot on a trough and
one on a goat, beside a river bank,
and by a special spear forged for
one year during the hours when
everyone should be at Mass.
Armed with this information,
Blodeuwedd arranged for Llew’s
demise. She and Gronw prepared
an ambush, but things did not go
according to plan. When Gronw
threw the spear, it hit Llew,
wounding him but not killing him.
In that split second, Llew turned
himself into an eagle and flew
away. Gwydion, Llew’s father,
eventually discovered the severely
wounded eagle perched high in an
oak tree. Realizing that the bird
was Llew, he transfigured his son
back into human form. Gwydion
and Math then nursed Llew back to
health, before mustering an army to
take back his lands from Gronw
and Blodeuwedd. The latter fled,
but Gwydion hunted her down and
turned her into an owl. He told her
that she would never see the light
of day again and would be alone
for eternity. Her name would forever
be Blodeuwedd—which in the
modern Welsh language now
simply means “owl.” ■
The reverse side of an ancient
Greek coin. This owl represented the
goddess Athena, whose head was
depicted on the other side.
Owls
Regarded as sacred in many
cultures, the nocturnal owl is both
a symbol of wisdom—because it
can see in the dark—as well as of
death and spiritual renewal.
In ancient Welsh mythology,
these birds had a dark and
foreboding significance. Gwydion
turned Blodeuwedd into an owl
because, due to her plot to kill her
husband, he believed she should
never see the light of day again.
He knew that other birds—fearful
of owls—would attack her if she
appeared during daylight.
Owls are also found in Irish
mythology. The heroine and
dark goddess Echtach was a
ghostly owl whose screeches
were heard in midwinter, after
sunset. She was said to haunt
the region where her sister
Echthge, a cannibal, lived.
Athena, the ancient Greek
goddess of wisdom and war,
was often depicted with a little
owl, which was regarded as a
good omen. The Roman goddess
of wisdom and arts, Minerva—
Athena’s counterpart—was
depicted with an owl perched
on her right hand.
[Llew Llaw Gyffes] flew
up in the form of an eagle,
and gave a fearful scream.
Math fab Mathonwy
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