Mythology Book

(ff) #1

316


B


efore the cosmos was
created, there was just a
blank void. Amid this
expanse of nothingness floated a
huge egg-shaped shell. Inside was
the feathered creator god, Ta’aroa,
who had no mother or father.
Eventually, Ta’aroa grew tired of
this confined existence. He forced
open his egg, cleaving it in two,
and crawled out to the edge of the
broken shell. When he called out to
the darkness, there was no reply—
the only sound was Ta’aroa’s voice.
Growing up alone on the shell from
which he had emerged, Ta’aroa
became frustrated at having no
one to do his bidding, so he
resolved to bring creation and
life to the void.
Ta’aroa’s first action was to
push up one half of the broken
shell, which formed the dome of
the sky. He then used the other half
of the shell to make the rocks that
formed the earth’s foundation. To
create a habitat for life, Ta’aroa
used his own flesh to make soil
and his innards to make the
clouds. Ta’aroa’s tears then formed
the waters of the earth, filling up
the oceans, lakes, and rivers. His
backbone became the mountain
ranges and his ribs their ridges.

MASTER OF


EVERYTHING


THAT IS


TA’AROA GIVES BIRTH TO THE GODS


IN BRIEF


THEME
The cosmos is made from
a shell

SOURCE
Oral tradition, transcribed in
The World of the Polynesians:
Seen through Their Myths and
Legends, Poetry and Art,
Antony Alpers, 1987.

SETTING
The beginning of time in
Tahitian mythology.

KEY FIGURES
Ta’aroa The creator god,
originator of the entire cosmos.

Tane Ta’aroa’s son, the god
of light and forests. In some
places, Tane is a woman
rather than a man.

Tu Ta’aroa’s son, the god of
war and craftsmen.

Ta’aroa creates other gods and
human beings in this wooden statue
(ca. 17th–18th century) from Rurutu,
one of the Austral Islands in what
is now French Polynesia.

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OCEANIA 317
See also: Pan Gu and the creation of the world 214–15 ■ Viracocha the creator 256–57 ■ Tane and Hine-titama 318–19

Ta’aroa’s feathers made vegetation
and his guts became lobsters,
shrimps, and eels. He used his
toe- and fingernails to give sealife
its shells and scales.
Finally, his blood became
the glowing colors in the sky
and in rainbows. Great Ta’aroa
had used his entire body except
for his head; that part remained
sacred to himself.

The god’s children
Ta’aroa then summoned forth a
multitude of other gods from his
body (which is why he is often
depicted with them crawling over
him). One of his children, Tane,
illuminated creation by hanging
the sun, moon, and stars in the sky.
Tane became the god of peace and
beauty, and sometimes the god of
forests and birds.
Of all Ta’aroa’s children, the
most able craftsman was Tu, who
had helped his father create more
species of plants and animals to
fill the world. Ta’aroa then made
the first man and woman and
persuaded them to procreate.

Ta’aroa had created the world with
seven levels, placing humanity
on the bottom one. Much to his
delight, people multiplied more and
more quickly. As they shared their
space with plants and animals,
they soon occupied all the levels
of the earth.

Inside the shell
When Ta’aroa had finished
the task of creation, he had a
revelation: everything that existed

in the cosmos was contained in
a shell. He had been contained
within a shell, the sky was the
shell of heavenly bodies, and Earth
the shell of everything that lived
there. The shell of all humanity
was the womb of the woman from
whom they had emerged.
Despite this awareness, Ta’aroa
knew that everything still belonged
to him. Although he had come out
of a shell, he was still the supreme
creator of all. ■

Carved wooden tiki keep watch
as a Russian sailor explores a morai
(cemetery) on the island of Nuku
Hiva, in this engraving from ca. 18 0 7.

Ta’aroa in Polynesian cultures


Name Place Role

Society Islands (including Tahiti)

Hawaii

Samoa

Tonga

New Zealand

The creator deity.

A sea deity, and a god of death.

Creator of the universe.

Ancestor of a long-running dynasty.

God of the sea.

Ta’aroa

Kanaloa

Tagaloa

Tangaloa

Tangaroa

Tiki: Polynesian wood carvings


Polynesia encompasses over
1,000 islands that form a
triangle in the southern Pacific,
from Hawaii at the peak to New
Zealand in the southwest and
Rapa Nui (Easter Island) in the
southeast. The indigenous
peoples of these islands
generally share the belief that
gods are all-pervasive and can
take many other forms, such as
humans, animals, or features of
the landscape. People present
offerings to the carvings that
depict these forms. These

carvings are known as tiki and
are made across Polynesia. In
some parts of Polynesia, Tiki was
also the name of the first man to
be created. Tiki can be made in a
range of sizes, from large human-
shaped statues to pendants worn
as necklaces.
When Europeans began
colonizing Polynesia, they tried
to suppress traditional culture
and religious practices, destroying
many tiki in the process. However,
tiki statues are still made today
throughout Polynesia.

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