52
See also: The Olympian gods 24–31 ■ The many affairs of Zeus 42–47 ■
Vesta and Priapus 108–09 ■ A complex god 164
D
ionysus, the god of
wine and ecstasy, was
born after Zeus’s liaison
with a mortal named Semele.
Her insistence on seeing Zeus
revealed in his full divine glory
resulted in her death, because
a mere mortal was not permitted
to see an undisguised god. Zeus
rescued the fetus and sewed the
unborn child into his thigh. After
this, Dionysus was born again—
both as a boy-deity and as an
emblem of fertility. Zeus’s wife,
Hera, then cursed Dionysus,
sending Titans to dismember and
kill him. Zeus, however, brought
his son back to life once more.
The Maenads
Dionysus presided over fertility
both for the vineyards and for
women’s wombs. His followers,
predominantly female, were known
as Maenads—meaning “raving
ones.” These women shared their
god’s love of wine and raucous
behavior, and he encouraged them
to indulge in both. Marauding
bands of Maenads terrorized the
Theban countryside so much that
Pentheus, the King of Thebes,
banned the cult of Dionysus. The
king’s decree was angrily rejected
by many women—including the
king’s own mother—who went out
into the countryside to praise the
wine god in one last, climactic rite.
Dionysus convinced Pentheus
to climb a tree to enjoy the view of
the final orgy. Dressed in women’s
clothes, the king went to watch, but
was seen by the ecstatic Maenads.
Mistaking him for a wild animal,
they tore him limb from limb. ■
IN BRIEF
THEME
Passion versus restraint
SOURCES
Homeric Hymns to Dionysus,
Homer, ca. 600 bce; On Nature,
Heraclitus, ca. 500 bce; The
Bacchae, Euripides, 405 bce.
SETTING
The countryside around
Thebes, central Greece, during
the reign of King Pentheus.
KEY FIGURES
Dionysus God of fertility,
wine, and madness.
Zeus King of the gods.
Semele Dionysus’s mortal
mother.
Hera Zeus’s wife; goddess
of women and marriage.
Maenads Delirious, drunken
female followers of Dionysus.
Pentheus King of Thebes.
THE RAVING LADIES
STREAMED OUT OF
THEIR HOMES
THE CULT OF DIONYSUS
Women, here he is: the
man who mocks you and
me and our unruly rituals.
The Bacchae
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53
See also: Hades and the Underworld 48–49 ■ The abduction of Persephone
50 –51 ■ The descent of Inanna 182–87 ■ Osiris and the Underworld 276–83
G
reek mythology’s great
bard, Orpheus, was born of
the relationship between
Calliope, the Muse of poetry, and
Oeagrus, a Thracian river god.
Orpheus’s most heartfelt verses
were dedicated to Eurydice, who
became his wife—only to be killed
by a snakebite on her wedding day.
Lyrical lamentation
Wandering through the woods,
Orpheus mourned Eurydice in
impassioned song, which surpassed
anything he had ever composed.
The music was so moving that the
nymphs and gods wept to hear it.
Eventually, Orpheus decided to
travel to the Underworld to beg
Hades and his queen to take mercy
on him and return Eurydice to life.
In the Underworld, Orpheus
played for Hades and Persephone.
The queen was so touched by the
music that she begged her husband
to break the rules of the Underworld
and release Eurydice. Hades agreed,
on the condition that Orpheus not
lay eyes on Eurydice while she
remained in the Underworld.
Orpheus led his bride through the
caverns of darkness and despair,
slowly winding upward toward the
earth’s surface. Eurydice followed
after him at a distance, so that he
would not look upon her.
At last, Orpheus caught a
glimpse of daylight up ahead.
Happily, he glanced back at his
wife, only to realize even as he
saw her that she was lost to him—
pulled back down, despairing, into
the realms of death. ■
ANCIENT GREECE
TURNING ’ROUND, HE
CAUGHT A GLIMPSE OF
HIS WIFE AND SHE HAD
TO RETURN BELOW
ORPHEUS AND EURYDICE
IN BRIEF
THEME
The finality of death
SOURCES
Argonautica, Apollonius of
Rhodes, ca. 250 bce; Library,
Pseudo-Apollodorus, ca. 10 0 ce.
SETTING
Greece and the Underworld.
KEY FIGURES
Orpheus A renowned
musician; the son of Calliope
and Oeagrus.
Eurydice The bride of
Orpheus; killed on her
wedding day.
Hades The king of the
Underworld.
Persephone The young
wife of Hades and queen
of the Underworld. Orpheus plays his lyre in a
3rd-century ce Roman mosaic
from Antakya, Turkey. The bard is
surrounded by wild animals that
are entranced by his sublime music.
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