The New Yorker - February 17-24 2020

CONTRIBUTORS

Ian Parker (“The Really Big Picture,”

p. 48) contributed his first piece to the

magazine in 1992 and became a staff

writer in 2000.

Cecily Parks (Poem, p. 76) teaches at

Texas State University. She is the author

of the poetry collections “Field Folly

Snow” and “O’Nights.”

Julian Lucas (“The Fugitive Cure,” p. 40)

is a writer and critic based in Brooklyn.

Elizabeth C. Gorski (Puzzles & Games

Dept., p. 83) is the founder of Crossword

Nation and creates a daily puzzle for

King Features Syndicate. Her crosswords

have also appeared in the Times and the

Wall Street Journal.

Eren Orbey (The Talk of the Town,

p. 28), a graduate student at Oxford,

has contributed to The New Yorker

since 2016.

Caki Wilkinson (Poem, p. 54) will pub-

lish her third poetry collection, “The

Survival Expo,” in 2021. Her latest book

is “The Wynona Stone Poems.”

Lauren Collins (“Living Proof,” p. 60)

has been a staff writer since 2008. She

is the author of “When in French: Love

in a Second Language.”

Sam Knight (“Betting the Farm,” p. 32)

is a staff writer who lives in London.

Emily Flake (Sketchpad, p. 31), a New

Yorker cartoonist, is the author of

“Mama Tried” and, most recently, “That

Was Awkward: The Art and Etiquette

of the Awkward Hug.”

Haruki Murakami (Fiction, p. 72) is the

author of fourteen novels in English,

including “The Wind-Up Bird Chron-

icle,” “Kafka on the Shore,” “1Q84,”

and “Killing Commendatore.”

Joan Acocella (Books, p. 87) has been a

staff writer since 1995. She is at work

on a biography of Mikhail Baryshnikov.

Barry Blitt (Cover) is a cartoonist and

an illustrator. His latest book, “Blitt,”

is a collection of his illustrations for

The New Yorker, the Times, Vanity Fair,

and other publications.

THE NEW YORKER INTERVIEW

Masha Gessen talks with the

academic Judith Butler about the

possibilities of nonviolence.

PHOTO BOOTH

Eren Orbey on how the queer,

disabled artist Joey Solomon is

reimagining the diagnostic gaze.

LEFT: CAYCE CLIFFORD FOR THE NEW YORKER; RIGHT: JOEY SOLOMON

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