WasIraSachsanewacquaintance?
Yes
hewasnewWemetthroughthefilms
firstIsawLoveIsStrangeandIsawLittle
Men
whichIlovedandthenIwantedtomeet
himSowemet!Anddecidedtodothis
movietogether
Whatimpressesyouthemostaboutthefilm?
IlovethewayIraalwaysputstogetherthe
mostcontradictoryfeelingsIt’sgenerous
but
it’sveryselfishThefilmistragicbutit’salso
verycomicIt’sverysunnybutit’salsovery
darkHe’sreallyamasterofputtingallthese
contraststogetherinaverysubtlewayI
rarelydidamoviewheresomanythingswere
saidandnothingwasreallysaidNothingis
reallyexplainedIt’squitespecial
Howwouldyoureactifyoufound
yourselfinFrankie’spositionwith
herillhealth?
Idon’thavethiskindofrelationship
withanyoftherolesIplayInever
imaginemyselfinthesame
situation...Ofcourse
Iplay
anactressandIaman
actress
soitcreatesa
greatsenseofproximity
betweenmeandwhat’s
supposedtobethe
characterinthefilmIra
knowsexactlywhathe
doesbydoingthis!JM
ISABELLE
HUPPERT
As the story for Frankie started to take
shape, his co-writer Mauricio Zacharias
suggested the resort town of Sintra in
Portugal, which Sachs had visited in 1979
as a teenager. “A place like Sintra inspires
that sense of one’s own minuteness,” says
Sachs. “I always think New York won’t
blink when I die. That’s my God –
recognising my own unimportance!”
As morbid as it sounds, death is very
much a part of Frankie, as the titular
actress (Isabelle Huppert), diagnosed with
terminal cancer, gathers friends and
family around her one last time. Among
them, husband Jimmy (Brendan Gleeson),
financier son Paul (Jérémie Renier) and
movie hairstylist friend Ilene (Marisa
Tomei), who brings along her
cinematographer boyfriend (Greg Kinnear)
whom she met on a Star Wars movie.
Working with French legend Huppert
was a dream come true for Sachs. “I’m a
longtime admirer of her work, and I think
A
fter delivering his well-liked films Love Is Strange and Little Men,
Ira Sachs thought it was time to get out of New York. “I had this
idea 10 years ago, about making a film about a family on
vacation,” he says. Inspired by Satyajit Ray’s 1962 drama
Kanchenjungha, set over one day as an upper-class Bengali clan holiday
in Darjeeling, he began to consider where to set his story.
she epitomises an acting style I’ve always
been interested in.” Sachs clarifies he’d
never attempt to work with her in France.
“I wouldn’t have the depth, I wouldn’t
have enough intimacy. But Isabelle in a
dislocated space works for me, because I
was also dislocated.”
While he calls Frankie “a woman’s
buddy picture”, Sachs admits he has no
wish to direct a big-scale blockbuster like
the ones some of his characters
work on. “They would be making
a mistake [hiring me]! A very big
one,” he says. “I’m 53, so you
can see the turn of the Earth,
and I would never work
without final cut at this
point in my life. I would
rather make a $4,000
movie!” JM
ETA | 22 MAY / FRANKIE
OPENS LATER THIS YEAR.
EURO TRIP
FRANKIE I Ira Sachs heads to Portugal for an
encounter with an icon...
ONELASTTIME
Huppert’sFrankie
saysherfinal
goodbyesinher
ownway
GET
TY,
PI
CTU
REH
OUS
E^ E
NT
ERT
AIN
ME
NT
GAMESRADARCOM/TOTALFILM APRIL 2020 | TOTAL FILM
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