2020-03-01 Total Guitar

(Jacob Rumans) #1

20


“Pedaltones?Sothisis about
stompboxes?”
Pedaltonesis actuallya referencetothe
pedalsfoundonorgans– likethoseyou
seeinchurches.Theorganistwouldstep
onthesepedalstoproducea long,sustained
‘pedal’tone– usuallylowinpitch– toprovide
a deepfullsoundtoaccompanythenotes
playedonthe‘regular’partoftheorgan
bytheplayer’shands.

“Okay,I guess.What’sit gottodo
withguitarplaying?”
Jxlwdulvwvxvhwkhshgdowrqhd olwwohglļhuhqwo|
Ratherthanhavea sustainednoteringout
(whichis usuallycalleda drone),guitarists
usethepedaltoneasa constantlyrepeated
notethatstaysthesamewhilenotesand
chordsmovearoundit.

“Fairenough,wherecanI hear
themin action?”
We’regladyouasked!Youcanhearit in
rog0vfkrro;3vulļvolnhErqMrylġvRaiseYour
HandsandVanHalen’sManOnA Mission.
If youwanttohearanadvancedversionof
d shgdowrqhulļ/wkhgulylqjedvvulļkhdug
onMuse’sHysteriachangesbetween
multiplepedalnotes.

“I’m ready for action, where do I start?”
H{dpsoh#4#lv#d#fodvvlf#phwdo#vw|oh#ulļ#wkdw#vkrzv#
krz#|rx#fdq#xvh#wkh#sdop0pxwhg#Ľiwk#
string as a pedal note against two-string
powerchords played on the middle two strings.
Wkh#orz#D#qrwh#gulyhv#wkh#ulļ#dorqj/#zkloh#wkh#
powerchords provide the contrast.

“That was easy enough,howelse
can I use them?”
Wkh|#fdq#dovr#eh#xvhg#rqkljkhuvwulqjvdv ulļv
ru#hyhq#lq#vrorv1#Mxvw#fkhfnrxwwkhvrorrqUhg
Hot Chili Peppers’ SuckMyKiss. Example2 uses
wkh#rshq#Ľuvw#vwulqj#dvwkhshgdowrqhzkloh
quickly moving aroundtheneck.Youcanhear
guitar legend Angus Youngusethiskindof
idea in the AC/DC classicThunderstruck.

“So far so good. Is thereanything
else I can work on?”
Plenty, as it happens. We’veshownyousome
edvlf#ulļv#wr#jhw#vwduwhg/exwwkhuhġvorwv|rxfdq
do to modify our two examples.Experiment
with changing the orderofthechordsornotes
between the pedal tones.Alternatively,change
the number of times youplaythepedaltones
between the chords. Onceyou’redonewith
that, we’ve provided youwithsomemore
vkdshv#vr#|rx#fdq#pdnhxs|rxurzqulļv

What do a church organ and


your guitar have in common?


Let us explain...


GETTING


STARTED WITH...


PEDAL TONE


RIFFS


WHATYOUWILLLEARN
Wherepedaltonesgettheirname
Twodifferentwaystousethem
How to create your own riffs

T


B


..


.
.

..


.
.

≥≤≥≤≥≤≥≤


12 0 0 0 5 0 0 0

E^5

q= 115

≥≤≥≤≥≤≥≤


7 0 0 0 8 0 10 0

G^5

T


B


..


.
.

..


.
.

≥≥≥≥≥≥≥≥


0 0

(^97)
0 0
(^97)
0 0
A^5
PM PM PM
q= 120
≥≥≥≥≥≥≥≥
(^53)
0 0
(^53)
0 0
(^75)
0
F^5 G^5
PM PM PM
Assoonasyou’veplayedeachfrettednote,releasepressureonthestringand
startmovingtothenextfret– thiswillhelpyouplaytheriffatfullspeed.
TRACK 08
Makesureyoumutethefifthstringa little,butplaythepowerchordsun-muted



  • thiswillstopthepedalnoteblendingwiththechords.


1 POWERCHORDS AND PEDAL TONES TRACK^07


PEDAL POWERED!
Easy chords for any style
Try out these six chords over a sixth string pedal
tone. And, remember, it doesn’t have to be metal!
With a bit of creativity, these ideas can work in
rock, indie or any electric guitar style really.

TOTAL GUITAR MARCH 2020

HOW TO


2 PLAYING ON ONE STRING


O

B

XX

3

1

X O

C

XX

3

1

X O

D

XX

3

1

X
5

O

E

7

X

3

1

X O

G

XX

3

1

X O

A

XX

3

1

X
10 12
Free download pdf