20
“Pedaltones?Sothisis about
stompboxes?”
Pedaltonesis actuallya referencetothe
pedalsfoundonorgans– likethoseyou
seeinchurches.Theorganistwouldstep
onthesepedalstoproducea long,sustained
‘pedal’tone– usuallylowinpitch– toprovide
a deepfullsoundtoaccompanythenotes
playedonthe‘regular’partoftheorgan
bytheplayer’shands.
“Okay,I guess.What’sit gottodo
withguitarplaying?”
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Ratherthanhavea sustainednoteringout
(whichis usuallycalleda drone),guitarists
usethepedaltoneasa constantlyrepeated
notethatstaysthesamewhilenotesand
chordsmovearoundit.
“Fairenough,wherecanI hear
themin action?”
We’regladyouasked!Youcanhearit in
rog0vfkrro;3vulļvolnhErqMrylġvRaiseYour
HandsandVanHalen’sManOnA Mission.
If youwanttohearanadvancedversionof
d shgdowrqhulļ/wkhgulylqjedvvulļkhdug
onMuse’sHysteriachangesbetween
multiplepedalnotes.
“I’m ready for action, where do I start?”
H{dpsoh#4#lv#d#fodvvlf#phwdo#vw|oh#ulļ#wkdw#vkrzv#
krz#|rx#fdq#xvh#wkh#sdop0pxwhg#Ľiwk#
string as a pedal note against two-string
powerchords played on the middle two strings.
Wkh#orz#D#qrwh#gulyhv#wkh#ulļ#dorqj/#zkloh#wkh#
powerchords provide the contrast.
“That was easy enough,howelse
can I use them?”
Wkh|#fdq#dovr#eh#xvhg#rqkljkhuvwulqjvdv ulļv
ru#hyhq#lq#vrorv1#Mxvw#fkhfnrxwwkhvrorrqUhg
Hot Chili Peppers’ SuckMyKiss. Example2 uses
wkh#rshq#Ľuvw#vwulqj#dvwkhshgdowrqhzkloh
quickly moving aroundtheneck.Youcanhear
guitar legend Angus Youngusethiskindof
idea in the AC/DC classicThunderstruck.
“So far so good. Is thereanything
else I can work on?”
Plenty, as it happens. We’veshownyousome
edvlf#ulļv#wr#jhw#vwduwhg/exwwkhuhġvorwv|rxfdq
do to modify our two examples.Experiment
with changing the orderofthechordsornotes
between the pedal tones.Alternatively,change
the number of times youplaythepedaltones
between the chords. Onceyou’redonewith
that, we’ve provided youwithsomemore
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What do a church organ and
your guitar have in common?
Let us explain...
GETTING
STARTED WITH...
PEDAL TONE
RIFFS
WHATYOUWILLLEARN
Wherepedaltonesgettheirname
Twodifferentwaystousethem
How to create your own riffs
T
B
..
.
.
..
.
.
≥≤≥≤≥≤≥≤
12 0 0 0 5 0 0 0
E^5
q= 115
≥≤≥≤≥≤≥≤
7 0 0 0 8 0 10 0
G^5
T
B
..
.
.
..
.
.
≥≥≥≥≥≥≥≥
0 0
(^97)
0 0
(^97)
0 0
A^5
PM PM PM
q= 120
≥≥≥≥≥≥≥≥
(^53)
0 0
(^53)
0 0
(^75)
0
F^5 G^5
PM PM PM
Assoonasyou’veplayedeachfrettednote,releasepressureonthestringand
startmovingtothenextfret– thiswillhelpyouplaytheriffatfullspeed.
TRACK 08
Makesureyoumutethefifthstringa little,butplaythepowerchordsun-muted
- thiswillstopthepedalnoteblendingwiththechords.
1 POWERCHORDS AND PEDAL TONES TRACK^07
PEDAL POWERED!
Easy chords for any style
Try out these six chords over a sixth string pedal
tone. And, remember, it doesn’t have to be metal!
With a bit of creativity, these ideas can work in
rock, indie or any electric guitar style really.
TOTAL GUITAR MARCH 2020
HOW TO
2 PLAYING ON ONE STRING
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10 12