2020-03-01 Total Guitar

(Jacob Rumans) #1
TOTAL GUITAR MARCH 2020

58


Whenhe’snotsoloingin octaves,BillieJoeoftencreatesmemorablelinesbyusingpedaltones(checkoutourprimeronpedaltonesonp20).He’lloftenthrowthesein to
embellish solos which are otherwise based on the vocal melody. You can try playing the same licks over changing chords to get more mileage from one idea. In bars 3 to
4 here, you’ll need to barre the second and third strings to play smoothly.

On Green Day classicslikeNiceGuysFinishLast,KnowYourEnemy and Holiday, the powerchords are often punctuated with staccato bursts where the strings are muted
entirely with the fretting hand. If you mute with just one finger you’ll hear lots of high harmonics; muting with two or more digits gives you Billie Joe’s chunky, percussive
sound. Aim to mute all six strings, and then you can pick hard without fear of unwanted noise.

T
B

#.
.

.
.

(^3) ≥≤≥ ≥≤ ≤
14 14 15 14 14 17 14 14
D^5
≥≥≤≤≥
15 14 14 17 14 14 15 14
G^5
Play 4 times
05 PEDAL TONE SOLOING TRACK 14
0 4 FRET HAND MUTING TRACK 13
T
B
..
.
.
(^1) ≥≤≥≤≥≤≥≤
14 14 17 14 14 15 14 14
A^5
q= 160
≥≤≥≤≥≤≥≤
(^1414141514141714)
G^5
Green Day solos aremelody-basedandeasilysingable.Tomakethelinesstandout,BillieJoeoftenplaysthemin octaves,asonAmericanIdiot. Stubyourfirstfingeragainst
the sixth string and use the underside of that finger to mute the idle strings. You’re then free to strum all six strings aggressively and only hear the notes you’re fretting.
0 3 OCTAVE-BASED SOLOING TRACK 12
T
B
#.
.
.
.
..
.
.
≥≤≥ ≥≤≥≤
13
11
13
11
13
11
13
11
14
12
16
14
11
9
E^5 B^5
q= 180
≤≥≤ ≥
11
9
11
9
11
9
13
11
≥≤
11
9
9
7
9
7
C#^5
≥≤
11
9
9
7
9
7
A^5
Play 4 times
T
B
#.
.
.
.
..
.
.
≥≥≥≥≥≥≥≥
(^42424240404242)
F#^5 E^6 F#^5
q= 110
¿¿
cont.sim.
(^424242242242)
B^5 /F# F#^5
¿
¿
¿
¿
¿¿^42424240404242
E^6 F#^5
¿¿
.
.
œ.
(^42)
(^44)
2
B^5
¿¿ ¿¿ ¿¿ ¿¿
Play 4 times
COVER FEATURE
Guitars & backing
: Jonny Scaramanga

Free download pdf