2020-03-01 Total Guitar

(Jacob Rumans) #1

G


uitarists Mick Thompson and Jim
Urrw#gudz#rq#ydulrxv#lqľxhqfhv#
khuh#lq#wklv#srxqglqj#ohdg#vlqjoh#
uhohdvh#iurp#5337ġv#Ohe'y,3!Ma^
Ln[ebfbgZeO^kl^l"1#Iurp#wkh#
julqgfruh0wlqjhg#lqwur/#
d#uk|wkplf#qx0phwdo#euhdngrzq/#eodfn#
phwdo0lqľxhqfhg#yhuvhv#dqg#d#phorglf#phdw#
krrn#ri#dq#rfwdyh0edvhg#fkruxv#ulļ/#wkh#phwdo#
jldqwv#rļhu#xs#d#eurdg#vhw#ri#whfkqltxhv#wr#jhw#
|rxu#}lsshu0prxwkhg#whhwk#lqwr1#
Wr sod|wklvvrqjzlwkwkhihduvrphdwwlwxgh
dqgdjjuhvvlrqlw uhtxluhv|rxpljkwwklqn
|rxkdyhwr sxwdoo ri |rxuhqhuj|lqwrslfnlqj
kdugdqgdwwdfnlqjwkhvwulqjv/exw/lq idfw/Mlp
dqgPlfnduherwklqfuhgleo|uhod{hgsod|huv1
Wr sod|zlwkVolsnqrw0ohyhovwdplqd/lwġvd
ehwwhulghdwr doorz|rxukdqgwr pryh
qdwxudoo|iurpwkhzulvw+qrw|rxuhoerzru
iruhdup,dqgohw |rxuslfnlqjvshhgghyhors
judgxdoo|ryhuwlph1
Pdnhvxuhwr vwlfnd vhwri khdy|jdxjh
vwulqjvrq|rxujxlwdu/wkrxjk$Dualityis in
vxshu0orzgursE wxqlqj+E I&E H J&F&,1
Jdxjh31346vvkrxoggr wkhmre1

I


t may surpriseyou,butwith
metal it’softenbesttouse
as little gainasyoucanget
away with – toomuchandyou’ll
suck out the bodyofyourtone.
With Duality, checkthatthe
palm-muted chordsfeelchunky
and the pinchedharmonicssing,
then set your gainaccordingly.
Keep reverb tozeroformaximum
clarity. A TubeScreamer-type
drive pedal willtightenthelow
end if you’re usinga high-gain
valve amp, butif yourampis
light on drive, trypedalssuch
as MXR’s FullboreMetalorthe
classic Metal ZonefromBoss.
Most modern multi-fxpedals
will have a handfulofsimilar
presets that youcantweak.

GET THE SOUND


Everything you need to know before playing ‘Duality’


Optfora bridge
positionhumbucker
throughoutthesong
andkeepyourguitar’s
volumemaxedout.

Getthetone CHANNELDISTORTION


GAIN BASS MID TREBLE REVERB

CHORDS


D


ualityġv#fkrugv#duh#doo#sod|hg#rq#wkh#wzr#edvv#vwulqjv1#Lq#
gurs#E#wxqlqj#wkhvh#wzr#rshq#vwulqjv#irup#d#srzhufkrug/#
zklfk#phdqv#doo#wkh#rwkhu#srzhufkrugv#fdq#eh#sod|hg#
zlwk#d#vwudljkwiruzdug#rqh0Ľqjhu#eduuh1#Kdss|#gd|v$#Mxvw#
pryh#wklv#hdv|#vkdsh#durxqg#wkh#iuhwerdug1#Khuh/#zhġyh#dovr#
jlyhq#|rx#wkuhh#pdmru#dqg#plqru#vkdshv#wkdw#duh#vxjjhvwhg#
e|#wkh#ulļv#lq#wkh#fkruxv1#

SCALES


T


kh#vrqj#xvhvd eohqgri
wzr#Ġprgdoġvfdohv=E
Orfuldq#+E#FG H I J D,
dqg#E#Sku|jldq#+EF G H I&J D
E,1#Wkh#rqo|#glļhuhqfh
ehwzhhq#wkh#wzrvfdohvlv wkh
b8wk#I#qrwh#lq#wkhOrfuldq
prgh/#frpsduhgwr wkhpruh
vwdqgdug#shuihfw8wklq wkh
fkruxvhv1#Wkhuh#duhqr vrorvlq
Duality/#exw#|rx#frxoghdvlo|xvh
wkhvh#vfdoh#vkdshvwr
lpsurylvh#yduldwlrqvrq wkh
ulļv#ru#hyhq#|rxurzqohdgv1

7 4 6
8
0

65


CLASSIC


TRACK


Guitars and backing:

Charlie Grif fiths

Photo
: Get t y Images

MARCH 2020 TOTAL GUITAR

B5

B F# B E G# C#

O O XXX X

C5

XXX X
1

C#5

XXX X

D5

XXX X

Eb 5

XXX X

E5

XXX X

F5

XXX X

Bm

O O O
1
2
3

D

X X

1
2 3

C

1

2

B F# B E G# C# B F# B E G# C# B F# B E G# C# B F# B E G# C#

B F# B E G# C# B F# B E G# C# B F# B E G# C# B F# B E G# C# B F# B E G# C#

1
1 1
1 1
1 1

1 1

61 1

4 3
4

1 1 B Locrianmode

B F# B E G# C#

5 1 1
2 2

4 4

1

3

1 1

4 3 3
4

B Phrygianmode

B F# B E G# C#

5 1 1
2
3
4 4

1

3

1 2

4 3 4

1
Free download pdf