66

CLASSIC

TRACK

TOTAL GUITAR MARCH 2020

SLIPKNOT

DUALITY

DUALITY

Words and Music by M. Shawn Crahan, Paul Gray,

Nathan Jordison, Corey Taylor, James Root and Sid Wilson

Copyright © 2004 EMI APRIL MUSIC INC. and MUSIC THAT MUSIC

All Rights Controlled and Administered by EMI APRIL MUSIC INC.

All Rights Reserved. International Copyright Secured. Used by Permission

Used by Permission of Hal Leonard Europe Ltd.

SLIPKNOTDUALITYIntro

T

B

#

..

.

.

..

.

.

1 0 0 0 0 0 0 0 0

Bm

q= 145

CG

EB

F

B

#

#

#

0:02

n #

0 0 0 0 0 1 2 3 3 3 3 3 3 3 3 6

D

1.

n

6 1 1 1 1 3 1 0

C

2.

n

6 1 12

C

T

B

#.

.

.

.

1

(^00000000)
B^5
CG
EB
F
B

0:29
(^00000000)
n
00 11 00 33 3
C^5 B^5 D^5
PH
PM
BU
T
B
..
.
.

4
() (^500000000)
B^5
(^00000000)
n
(^001100663)
C^5 B^5 F^5
PM
PH
T
B
..
.
.
..
.
.
( )
6 0 0 0 0 0 0 0 0
Bm
0 0 0 0 0 0 0 3
D
3 3 3 3 3 3 3 6

1. n
   [] 6 1 1 1 1 3 1 0
   C


2. 
   

   n
   [] 6 1 1 1 1 3 12
   C
   Play the first half with your guitar volume rolled down to about half for the lo-fi intro tone, then turn it up to maximum when the band kicks in. Notice the greasy, slippery
   feel and the occasional slide down the string - try using only one or two fretting fingers to recreate this. Downpicking is the way to go here.
   Play the open-string powerchords with a quick pick stroke, then use your fretting fingers to mute the strings to create nice, clean rests in between. For the pinched
   harmonics, touch the string with the side of your thumb as you down-pick and release. Mick and Jim tend to aim their harmonics two octaves higher than the fretted note.
   SLIPKNOTDUALITYBridgeRiff