68

CLASSIC

TRACK

T

B

9

12 12 12 7 7 7 10 10 10 10 5 5 5 5 7 7

.

. n ..

(^33551100)
D^5 E^5 C^5 B^5
T
B

..
.
.
1
0
0
0
0
0
0
0
0
B^5
CG
EB
FB

2:25
0
0
0
0
0
0
0
0
n
0
0
1
1
0
0
3
3
3
C^5 B^5 D^5
PM PH
BU
() 5 0
0
0
0
0
0
0
0
B^5
T
B

..

b

b.

.......

1

3

3

3

3

4

4

3

3

3

3

3

3

3

3

4

4

3

3

3

3

D^5 Eb^5 D^5 Eb^5 D^5

PM

1:57

CG

E

BF

B

#

#

#

..

b

b.

..

# n

n

3

3

3

3

4

4

3

3

3

3

2

2

2

2

1

1

1

1

Eb^5 D^5 C#^5 C^5

T

B

#.

.

.

.

..

.

.

3 0 0 0 0 0 0 0 0

Bm

0 0 0 0 0 0 0 3

D

3 3 3 3 3 3 6

n

[] 6 1 1 1 1 3 1 0

C

T

B

#.

.

.

.

..

.

.

◊ ◊

œ œ œ

7 []^0

14

12

14

12

7

5

7

5

10

8

10

8

12

10

Bm

œ œ

12

10

14

12

14

12

15

13

14

(^12) 0 3
D
3 3 3 3 3 3 6
n œ
[] 6 1 1 1 1 3 1 0
C
Choruses 1 and 2 feature a palm-muted setup riff in bars 1 and 2, followed by an eighth-note riff. Played with single notes, these eighths are pretty similar to the intro. Use
steady downstrokes here and let the string ring out without any palm-muting. Switch to palm-muted alternate picking when you reach bar 7.
Bars 1 to 6 are broadly the same as the beginning of chorus 1. However, bar 7 introduces an octave melody played on the third and fifth strings. Use your first and fourth
fingers to fret the two strings, keeping them stubbed up against the idle strings to keep them quiet.
SLIPKNOTDUALITYChorus1 (cont’d)
SLIPKNOTDUALITYBreakdown
SLIPKNOTDUALITYChorus 2
TOTAL GUITAR MARCH 2020